The Supernatural in Modern English Fiction — John Shaqi
The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The book is very amusing, and a more pronounced parody on Gothicism
than _Northanger Abbey_ because the whole story turns round that
theme,--but, of course, it is not of so great literary value. It seems
strange, however, that it is so little known. It burlesques every
feature of terror fiction, the high-flown language, the excited oaths,
the feudal furniture, the medieval architecture, the Gothic weather,
the supernatural tempers, the spectral apparitions--one of which is
so muscular that he struggles with the heroine as she locks him in a
closet, after throwing rapee into his face, which makes him sputter in
a mortal fashion. Cherubina finds a blade bone of mutton in some Gothic
garbage and takes it for a bone of an ancestor. Radcliffian adjectives
reel across the pages and the whole plays up in a delightful parody the
ludicrous weaknesses and excesses of the terror fiction.
Likewise the Anti-Jacobin parodies the Gothic ghost and there is
considerable satire directed at the whole Gothic _genre_ in Thomas Love
Peacock's novel _Nightmare Abbey_.
In general, Gothicism had a tonic effect on English literature, and
influenced the continental fiction to no small degree. By giving an
interest and excitement gained from ghostly themes to fiction, the
terror writers made romance popular as it had never been before and
immensely extended the range of its readers. The novel has never lost
the hold on popular fancy that the Gothic ghost gave to it. This
interest has increased through the various aspects of Romanticism
since then and in every period has found some form of supernaturalism
on which to feed. True, the machinery of Gothicism creaks audibly
at times, some of the specters move too mechanically, and there
is a general air of unreality that detracts from the effect. The
supernaturalism often lacks the naturalness which is necessary. Yet
it is not fair to apply to these early efforts the same standards
by which we judge the novels of to-day. While their range is narrow
they do achieve certain impressive effects. Though the class became
conventionalized to an absurd degree and the later examples are
laughable, while a host of imitations made the type ridiculous, the
Gothic novel has an undeniable force.
Public-domain text, read in full here on John Shaqi.
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