French fiction -- Translations into English; Short stories, French -- Translations into English
Mademoiselle Rosalie Rigal was by unanimous admission the most important
person in the village. And yet the hamlet of St. Martin-en-Pareds, in
the Woodland of the Vendée, boasts a former court notary who without
great difficulty was allowed to drop out of the profession, and a
retired sergeant of police who keeps the tobacconist's shop. Around
these dignitaries are grouped a few well-to-do farmers and a dozen or
more small landowners who, although obliged to work for a living, have a
sense of their importance in the State. When they speak of "my field,"
"my cow," "my fence," the ring of their voice expresses the elation of
the conqueror who in this infinite universe has set his clutch upon a
portion of the planet and has no intention of letting go.
No one is unaware that the chief joy of country people is to surround
themselves with hedges or walls, and to despise those who cannot do as
much. That their admiration, their esteem, their respect, go out
automatically to wealth is a trait they share with city people, which
spares us the necessity of a detailed psychological analysis. Who,
then, shall explain the unanimous deference with which St.
Martin-en-Pareds honoured Miss Rosalie Rigal?
The aged spinster--she was entering upon her seventieth year--possessed
nothing under the sun but a tiny cottage, not in very good repair, but
shining and spotless from front door steps to roof tiles, at the end of
a narrow little garden scarcely wider than the path to her door. Such a
domain was not calculated to attract to its mistress the admiring
attention of her fellow townsmen. The interior of the dwelling was
extremely modest. A large oaken bedstead with carved posts, a common
deal dining table, a few rush-bottomed chairs and Miss Rosalie's
armchair, were all the furniture of the room in which she lived. On the
walls were holy pictures. On the mantelpiece a tarnished bronze gilt
clock, representing a savage Turk carrying off on his galloping steed a
weeping Christian maiden, had as far back as any one could remember
pointed to a quarter before twelve.
At the window-door leading to the street and letting in the light of day
Miss Rosalie sat with her knitting from sun-up to sun-down. Hence arose
difficulties of entrance and exit. When a visitor appeared, Miss Rosalie
would call Victorine. The servant would come, help her mistress to rise,
as she did slowly and stiffly, move the armchair, settle the old woman
in it again, propping her with special cushions in stated places, move
the foot stool or the foot warmer, push out of the way the little stand
which served as a work table, and open the door with endless excuses for
the delay.
No fewer ceremonies were necessary than in seeking an audience with the
Sun-God. If Victorine were busy with the housework, she sometimes
obliged a caller to wait. Which gave Miss Rosalie's door step a
reputation as the most favourable spot in the entire canton for catching
cold.
Public-domain text, read in full here on John Shaqi.
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