The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
In the second bay (counting from the west) of the _south_ aisle is the
_font_, of Norman design, and curious. The basin is circular, and has
figures of the Apostles beneath arches, in the spandrels of which is a
leaf-ornament. A lion projects from each corner of the base, an unusual
and perhaps unique example. In the fourth bay is the very fine alabaster
effigy of Sir RICHARD PEMBRIDGE, _temp._ Richard II. Sir Richard, an
ancestor of the Chandos family, was one of the first knights of the
Garter, and was present at Poictiers. The armour is an excellent
example. Gold remains on the points of the cap to which the camail is
attached, and on the jewelled sword-belt. The head rests on a
tilting-helmet, with a sheaf of feathers coloured green. Between the
feathers and the helmet is a coronet of open roses. The garter is on the
left leg, and the feet rest on a greyhound. This monument was originally
in the church of the Black Friars, and was brought thence to the
cathedral after the Dissolution. The right leg, which had been
destroyed, has been restored at the cost of the Rev. Lord Saye and Sele,
Canon Residentiary.
In the wall of this aisle, in the _third_ bay from the east, is the
headless figure of an ecclesiastic, under a Decorated arch, foliated. In
the _second_ bay is an effigy of a priest of the early Decorated period,
much mutilated, under a foliated arch, at the crown of which is a
bearded head wearing a cap. In the _third_ bay is a door opening to the
cloisters, with a square heading which rises above the sill of the
window over it. A row of heads in the hollow moulding of the door,--a
fac-simile of a former composition, which had become entirely
decayed,--and the modern iron-work, by Potter, with which the door
itself is covered, deserve notice.
A narrow and lofty Norman arch opens from this aisle into the transept.
VII. The _north_ aisle is Decorated, of the same character as the south.
In the _third_ bay from the tower is the north _porch_, (§ IV.); and in
the bay above it is the monument of Bishop BOOTH, (died 1535,) the
constructor of the porch itself. The effigy lies under a foliated arch
with canopy. The Bishop, mitred and fully vested, holds the crozier (the
head of which has been broken) wrapped with the infula, or fillet. Much
colour remains on this monument, which is protected by its original
iron-work, banded with shields and heraldic ornaments.
In this aisle, a stained-glass window by WARRENTON, with subjects from
the life of St. John the Baptist, has been inserted as a memorial of
Canon CLUTTON and his wife.
Public-domain text, read in full here on John Shaqi.
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