Why was a man, alone of all creatures, allowed to be at war with his
environment--a prey to changes that were independent of, and unable to
reproduce themselves in, the world around him? Why was a man the
meeting-place of god and brute, the battle-ground of the two with their
unending wars?--and so made that if one should triumph and drive out the
other, the vanquished, whether god or brute, took away part of his
manhood with him, and peace was won only at the price of
incompleteness?... Why was consummation only a prelude to
destruction?--the lustreless horns of the daylight moon seemed to be
telling him that it waxed full only to wane. Why was a man given desires
that were gratified only at their own expense? Why did his young blood
call--call into the fire and dark--with only the fire and dark to answer
it?
It was in this turmoil of "whys" that Nigel's longing for the woods
became desperate. He raised himself on his elbow, and stared out at
them--Swites Wood, Summer Wood, and the woods of Ashplats and Hackenden.
He found himself dreaming of their narrow, soaking paths, of their brown
undergrowth, and carpet of dead leaves--he seemed to see the long rows
of ash, with here and there a yellow leaf fluttering on a bough. He
would go to the woods, he would find rest in their silent thickness.
He sprang out of bed and across the room, with what seemed one movement
of his big, graceful body. He lifted his water-jug from the floor, and
drank deeply--then he washed himself and put on fresh clothes. He felt
clean and cool, and the mere physical sensation gave him new strength
and dignity. He went quietly downstairs. Len was up and in the yard,
Janet was in the kitchen--but neither saw him as he stole out of the
house and up the lane.
He left it soon after passing Wilderwick, and plunged into a field. The
grass was covered with frost-crystals, beginning to melt in the lemon
glare of the sun. It was a strange, yellow dawn, dream-like, pathetic--a
little wind fluttered with it from the east, and smote the hedges into
ghostly rustlings. Nigel crept through the pasture as if he feared to
wake some one asleep, and entered the first of his woods.
The rim was touched with flame--one or two fiery maples blazed out of
the hedge against a background of yellow. Creeping through those golds
and scarlets into the sober browns was symbolic. He went a few steps,
then flung himself down upon the leaves. On the top they were dry,
underneath he felt and smelt their gracious dampness.
Public-domain text, read in full here on John Shaqi.
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