The Threshold Covenant; or, The Beginning of Religious Rites — John Shaqi
The Threshold Covenant; or, The Beginning of Religious RitesTrumbull, H. Clay (Henry Clay)
Religion
The Threshold Covenant; or, The Beginning of Religious Rites
Trumbull, H. Clay (Henry Clay)
Covenants -- Religious aspects
There is a custom of wooing among the Moksha, of the Mordvins, that
brings the threshold-altar idea into prominence. The parents of the
wooer first make gifts, at their home, to the household goddesses.
“These gifts consist of dough figures of domestic animals, which are
placed under the threshold of the house and of the outside gate, while
prayer is made to the goddesses and to deceased ancestors. The father
[of the bridegroom] then cuts off a corner of a loaf placed on the
table, and at the time of the offering scoops out the inside and fills
it with honey. At midnight he drives in profound secrecy to the house of
the bride elect, places the honeyed bread on the gate-post [of her
house], strikes the window with his whip, and shouts: ‘_Seta!_ I,
_Veshnak Mazakoff_, make a match between thy daughter and my son _Uru_.
Take the honeyed bread from thy gate-post, and pray.’”[118] The images
of domestic animals would here seem to stand for the slaughtered animals
formerly offered at the threshold altar; and the linking of the altars
of the two homes by offerings and prayer would seem to indicate the
desire for a sacred covenant. When the bride is received at the
bridegroom’s house, a notch is cut “with an ax in the door-post to mark
the arrival of a new addition to the family.”
Among the Erza, of the same province, the bride, on the day of “the
girl’s feast,” preceding her marriage, “takes mould [earth] from under
the threshold [of her parental home] with her finger-tips, and thrusts
it into her bosom,” as she goes out to seek a farewell blessing from her
friends. In the bridegroom’s home, meanwhile, a lighted candle is placed
on the threshold of the door; and, in some regions, when he and his
friends go to the bride’s house to bring her to his home, he and they
are met at the door by her parents with the covenanting bread and salt,
and the words, “Be welcome, come within.” As the bride is borne out of
her old home to go to her new one, she and her party “all halt and bow
to the gate, for there, or in the courtyard, is the abode of the god
that protects the dwelling-place. The following prayer is made to him:
‘_Kardas Sarks_, the nourisher, god of the house, do not abandon her
that is about to depart; always be near her just as thou art here.‘”
When she reaches her new home, she is carried (over the threshold), in
the arms of some of her party, into the house of the bridegroom,
carrying a lighted candle.[119]
The custom survived in portions of Scotland, as recently as the
beginning of this century, of lifting a bride over the threshold, or the
first step of the door. A cake of bread, prepared for the occasion, was,
at the same time, broken by the bridegroom’s mother over the head of the
bride. The bride was then led directly to the hearth, and the poker and
tongs, and sometimes the broom, were put into her hands “as symbols of
her office and duty.”
Public-domain text, read in full here on John Shaqi.
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