Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
To return and to conclude this chapter. I feel convinced--nay, I
know--that on the whole novelists get a little more than justice at the
hands of their critics. I can recall many instances in which my praise
has, in the light of further consideration, exceeded the deserts of a
book; but very, very few in which I have cast a slur on genuine merit.
Critics usually display a tendency towards a too generous kindness,
particularly Scottish reviewers; it is almost a rule of the vocation.
Most authors, I think, recognize this pleasing fact. It is only the
minority, rabid for everlasting laudation, who carp; and, carping,
demand the scalps of multiple-reviewers as a terrible example and
warning to the smaller fry.
[Footnote 2: 1900.]
XII
Serial fiction is sold and bought just like any other fancy goods. It
has its wholesale houses, its commercial travellers--even its trusts and
"corners." An editor may for some reason desire the work of a particular
author; he may dangle gold before that author or that author's agent;
but if a corner has been established he will be met by polite regrets
and the information that Mr. So-and-So, or the Such-and-Such Syndicate,
is the proper quarter to apply to; then the editor is aware that he will
get what he wants solely by one method of payment--through the nose. A
considerable part of the fiction business is in the hand of a few large
syndicates--syndicates in name only, and middlemen in fact. They perform
a useful function. They will sell to the editor the entire rights of a
serial, or they will sell him the rights for a particular district--the
London district, the Manchester district, the John-o'-Groats
district--the price varying in direct ratio with the size of the
district. Many London papers are content to buy the London rights only
of a serial, or to buy the English rights as distinct from the Scottish
rights, or to buy the entire rights minus the rights of one or two large
provincial districts. Thus a serial may make its original appearance in
London only; or it may appear simultaneously in London and Manchester
only, or in London only in England and throughout Scotland, or in fifty
places at once in England and Scotland. And after a serial has appeared
for the first time and run its course, the weeklies of small and obscure
towns, the proud organs of all the little Pedlingtons, buy for a trifle
the right to reprint it. The serials of some authors survive in this
manner for years in the remote provinces; pick up the local sheet in a
country inn, and you may perhaps shudder again over the excitations of a
serial that you read in book form in the far-off nineties. So, all
editorial purses are suited, the syndicates reap much profit, and they
are in a position to pay their authors, both tame and wild, a just
emolument; upon occasion they can even be generous to the verge of an
imprudence.
Public-domain text, read in full here on John Shaqi.
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