But with such rivalry, sleep could not be firm. Too much passion and
reflection, thrown up by his unconscious self like the lava of a
volcano, flooded the black slopes of Quincy’s night. And in his sleep
came hectic, vivid dreams--dreams in which a burst of repressed wishes
stormed to realization. Nor were the wishes good or gentle or
composed....
In the midst of some fantasy, painting his sleep, Quincy slides across
the faint border into consciousness. There are his parents. A light
sears through his closed eyes. He will keep them closed, though it
meant never to be able again to open them. For solely by feigning sleep
can he be sure his mother and father will not address him. And the idea
of that is unbearable. How can he speak to these two tyrants about whom
his thoughts contain so many guilty reservations? He lies still,
strained, listening for all the little noises that will upset him,
waiting for the light to go and rest to come. His parents never make
mention of his name. They talk sparingly, and then of things that he
does not understand. But every sound they make seems to him a monstrous
thing. They are trying to be quiet. But of what avail, when the drop of
a shoe on the floor twinges through him like a dart? when the creak of a
bed plays on his nerves as on a jangled harp? when the repressed sound
of their voices, whispering, becomes a source of suffering worse through
the very quality of stillness and of effort?
And with the morning, the shame of getting up when they do; the grim
refusal (though the price be their completer feeling of his “badness”)
in such naked intimacy to share their life, as if he shared as well
their cruelty and their dull perceptions. The agonized last minutes
waiting under covers, though the dregs of sleep be turned into a bitter
wide-awake, until they are dressed. And then, to spring up with a sick
relief, to rush into clothes and go!... Above all, with the morning, the
consciousness of the next night.
* * * * *
Public-domain text, read in full here on John Shaqi.
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