Satire; Spanish literature -- Translations into English
I promised the old gentleman I would remember what he desired, and he
retired contented. At this moment a young woman coming up to me, fell
upon my neck, exclaiming,
“My dear Æneas, have you at length arrived! I have for a long time
wished to see you. Virgil hath spoken very illy of you: he has published
a history of our loves, which we knew nothing of: I have sought you among
all the dead, without being able to find you; but I know, from your air,
that you are Æneas; for, as you have been the greatest and most
illustrious of heroes, so here you surpass all the dead in demeanour and
beauty.”
As the surprise I felt at this unmerited compliment prevented answer, she
continued to speak, and embraced me so vehemently, that I was compelled
to cry out.
“Peace, there!” commanded the officer of the chamber, who was called
_Silence_.
I still continued to bawl out; and said to Madame Dido, “O Queen of
Carthage! will you not be undeceived? I am Don Francisco de Quevedo de
Villegas, Chevalier of the order of Saint James!”
“Behold!” replied the queen, “behold this drunkard, who, being a Trojan,
would fain pass himself off for a Spaniard! Go, pious Æneas; Virgil hath
done thee no great wrong in describing thee as thou art. Where is thy
Palladium? thy nurse? thy son Ascanias? where are thy companions? why are
you here without attendants?”
“Be not disquieted,” said I: “address yourself to Charon; he would know
you as well as Æneas, who abandoned you in Africa; that was a meet
punishment for your prudery: but you have not yet been able to forget a
man, who surrendered his native city to the Greeks, and fled from his
ruined country. You are a victim of love!”
“And you,” said she, retiring, “are very credulous!”
The officer again commanded silence, and before I had time to add any
thing more, I saw approaching a dead person of great size, with horns
upon his head, and who ran towards me as though he was going to strike
with them. I stretched out my arms to defend myself, and perceiving near
me a large fork, that supported the tapestry, I took it in my hand, and
firmly awaited his onset.
“Do you recognize,” said he, “Don Diego Moreno, whom you have called in
your poems Signor Cornuto?”
“Yes,” replied I; “and to convince you, that I neither fear you, living
nor dead, take in advance a blow with this fork;” and at that endeavoured
to run him through, but his bones were too hard. Moreno then gave me a
blow with his head, and casting himself upon me, threw me down: I stuck
to his sides, inserting my fingers into the openings beneath the sternum,
and as he arose, came up with him. This noise causing considerable
confusion in the assembly, I saw coming upon me, a great number of the
dead, armed in the same manner with Moreno; and as they pressed upon one
another, each anxious to pass his neighbour, their bones made a very
curious clicking. In the mean time, others marshalled themselves in
front, to protect me from their assault.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account