The Welsh and Their Literature: from The London Quarterly Review, January 1861, American EditionBorrow, George
History
The Welsh and Their Literature: from The London Quarterly Review, January 1861, American Edition
Borrow, George
Welsh literature -- History and criticism
The earliest Cymric or British metre seems to have been a triban or
triplet, in each line of which there were in general six syllables. The
bards of the sixth, seventh, and several succeeding centuries used this
metre, and likewise others, invented by themselves, in which the lines
are of various length. There was no regular system of prosody till the
year 1120, when one was established under the auspices of Grufydd ap
Cynan, prince of Gwynedd. This Ap Cynan, who, though of Welsh origin,
was born in Dublin, and educated at the Danish Irish court, was
passionately fond of poetry, and was not only well acquainted with that
of the British bards, but with the strains of the Icelandic skalds and
Irish fileas. Shortly after his accession to the throne of Gwynedd, of
which he was the rightful heir, he proclaimed an eisteddfod, or poetical
sessions. At this eisteddfod, which was numerously attended by poets of
various nations, a system of prosody was drawn up by competent persons,
at his instigation, for the use of the Welsh, and established by his
authority. This system, in which Cymric, Icelandic, and Irish forms of
verse are blended and amalgamated, has with a few unimportant variations
maintained its ground to the present time. It contains three primary
measures, termed respectively, englyn, cywydd, and awdl. Of the englyn,
there are five kinds; of the cywydd, four; and of the awdl, fifteen.
Each particular species of englyn, cywydd, and awdl has its appropriate
name, which it is needless to give here. These three primary metres,
with their modifications, make together twenty-four measures, which
embrace the whole system of Welsh versification, in which, as somebody
has observed, each line, word, and letter, are so harmonized by
consonancy, chained so accurately, woven so closely and correctly, that
it is impossible to extract one word or even letter without causing a
hideous gap. Whoever has ventured to compose out of these measures,
since the time of their establishment, has been considered by the Welsh
scholar as unworthy of the name of poet.
The earliest recorded poet of the Cymry, after the days of Gwyddon
Ganhebon and the other personages mentioned with him in the triad, is
Merddin, Beirdd Emrys Wledig, or Merddin, Bard of Prince Emrys. He
flourished about the middle of the fifth century, the period when the
Saxons arrived in Britain, under the command of Hengist and Horsa.
Besides poetry he was skilled in mathematics, and is said by the Welsh to
have been the architect of Stonehenge. He has been surnamed Ambrosius,
which is the Latin modification of the name of his patron Emrys. He is
the Merddin, or Merlin, who has had to father so many of the prophecies
which since his death have been produced. None of his poems are extant.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account