Growing up under influences like these, it is wonderful that young
Hauff and his brother Hermann (his senior by two years) should ever
have discovered that they were Germans at all; but they lost their
father in 1809 and do not afterwards appear to have had any political
connection with the government: and by 1815, when Wilhelm was only
thirteen, the worst was over and the people of Stuttgart were left face
to face with their amiable monarch; who surprised them and all the
world by granting them of his own grace and favour an absolutely free
constitution. This, however, on the principle of 'Timeo Danaos et dona
ferentes,' was too much for the Württembergers, who profoundly
mistrusted him: but before the matter could be settled King Frederick
died, and King Wilhelm I, the husband of a Russian princess, and a
brave soldier and able diplomatist, who had stood up for the rights of
Germany in the deferred Elsass question, gave to his people, after much
preparation, a very respectably constitutional form of government
with two chambers, which included a representation both of clergy and
old-imperial nobility, backed up by a strong Executive. This was in
1822, and the remaining five years of W. Hauff's life were passed in a
happy country that had no history. It is usual of course to account for
the excessively fertile development of literary culture in Germany at
this time by the fact that the system of repression was so strong and
effective as to drive all the moderate minds away from politics; but
this will hardly hold good in Württemberg. Yet the educated classes
there seem to have been completely indifferent to such politics as
there were. But there were very few.
Those who want to discover the conditions under which Hauff's earlier
life passed should read (1) Goethe's Autobiography in Wahrheit and
Dichtung, and (2) Histoire d'un Conscrit; and, by mixing the two well
together, may arrive at some sort of idea what life was like in a small
German state, on which were grafted the new horrors of a military
despotism. It is not a pleasant picture, but if it bred a good many
souls as dead to patriotism as Goethe's and Heine's, it also bred not a
few Müllers and Uhlands and Arndts; and it bred Wilhelm Hauff. That
Hauff, in his later years at least (if a man can be said to have
later years who died at twenty-five), had caught much of the spirit
of the heroes of the War of Liberation, is best seen from the few
soul-stirring lyrics which he has left, especially the two odes which
he wrote in 1823-4 on the anniversary of the battle of Waterloo; even
more perhaps it is seen in his admiration for W. Müller, and in the
affecting story that when on his deathbed he heard the news of the
battle of Navarino, he cried, 'What news! I must go hence and tell it
to Müller,' who preceded him to the grave by a few weeks.
Public-domain text, read in full here on John Shaqi.
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