Hauff and his brother were voracious readers. Their maternal grandfather, 'a learned jurist,' (one trembles to think what a learned German jurist must have been like in the first decade of this century,) had a good library, consisting chiefly of old Law and History books, but including also a considerable number of romances; 'Smollett, Fielding, and Goldsmith were there,' says his biographer, Gustav Schwab, in the life which he prefixed to the 1837 (first collected) edition of Hauff's works. Schwab relates, not without humour, how the boys would play at fortress building and sieges with some of the more ponderous of the volumes, and the delight which they took in battering down a breastwork composed of the 'Acta Pacis Westphalicæ,' perhaps at the very time at which the Congress of Vienna was engaged upon the same job. But in the way of reading, they battened chiefly upon the old German historical romances, Hardleder's 'Ursache des Deutschen Krieges' especially, and it was from works like these that Wilhelm caught that old-imperial swing and flow of ideas which carries us so powerfully through Lichtenstein and the 'Phantasien.' The plan of turning a boy loose in a library is sometimes justified by results, although not always in the way expected. But although Wilhelm got a certain amount of classics drilled into him at the cloister school of Blaubeuern, and afterwards studied 'Philology, Philosophy, and Theology,' from 1820-1824, at the University of Tübingen, 'more,' says Schwab, 'to please his mother than from any leaning of his own to those subjects,' he never could write Greek or Latin verses like his brother, or pass for anything but an essentially poor scholar. But several other people who have afforded some pleasure to the world at large have been essentially poor scholars. This deficiency did not affect him much; his mother, though apparently not wealthy, had good interest, and procured for him, when he left the University, the position of private tutor in the family of 'the at that time War's-council's-President, later War's-minister von Hügel' at Stuttgart, where he remained two years, with apparently abundant leisure for exercising his talent for writing poetical romances and fairy tales, of which during the last two years of his life he poured forth an incessant stream. It is worth while noting that in one of these--the first part of the 'Memoirs of Satan' (not the completed edition of these memoirs as they now stand)--is a passage in which the author falls foul of the great Autocrat of German Literature apropos of some lines in Faust; which was a more daring thing for a young fellow of four-and-twenty to do than it is possible for a man living in a free country to imagine. The rash youth afterwards repented, and expunged the obnoxious passage when he finished the memoirs of his black Majesty.