This digression not only explains the long squabbles as to precedence which the Drapers' Guild carried on for two centuries with the Mercers and the Furriers, each insisting on marching first, as being the most important, but also accounts for the consequence of one Master Lecamus, a furrier honored with the patronage of the two Queens, Catherine de' Medici and Mary Stuart, as well as that of the legal profession, who for twenty years had been the Syndic of his Corporation, and who lived in this street. The house occupied by Lecamus was one of the three forming the three corners of the cross-roads at the end of the Pont au Change, where only the tower now remains that formed the fourth corner. At the angle of this house, forming the corner of the bridge and of the quay, now called the Quai aux Fleurs, the architect had placed a niche for a Madonna, before whom tapers constantly burned, with posies of real flowers in their season, and artificial flowers in the winter. On the side towards the Rue du Pont, as well as on that to the Rue de la Vieille-Pelleterie, the house was supported on wooden pillars. All the houses of the trading quarters were thus constructed, with an arcade beneath, where foot passengers walked under cover on a floor hardened by the mud they brought in, which made it a rather rough pavement. In all the towns of France these arcades have been called _piliers_--in England _rows_--a general term to which the name of a trade is commonly added, as "Piliers des Halles," "Piliers de la Boucherie." These covered ways, required by the changeable and rainy climate of Paris, gave the town a highly characteristic feature, but they have entirely disappeared. Just as there now remains one house only on the river-bank, so no more than about a hundred feet are left of the old _Piliers_ in the market, the last that have survived till now; and in a few days this remnant of the gloomy labyrinth of old Paris will also be destroyed. The existence of these relics of the Middle Ages is, no doubt, incompatible with the splendor of modern Paris. And these remarks are not intended as a lament over those fragments of the old city, but as a verification of this picture by the last surviving examples now falling into dust, and to win forgiveness for such descriptions, which will be precious in the future which is following hard on the heels of this age.