The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories — John Shaqi
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
The walls were of timber covered with slates. The spaces between the
timbers had been filled up with bricks, in a way that may still be seen in
some provincial towns, laid in a zigzag pattern known as _Point de
Hongrie_. The window-sills and lintels, also of wood, were handsomely
carved, as were the corner tabernacle above the Madonna, and the pillars in
front of the shop. Every window, every beam dividing the stories, was
graced with arabesques of fantastic figures and animals wreathed in scrolls
of foliage. On the street side, as on the river side, the house was crowned
with a high-pitched roof having a gable to the river and one to the
street. This roof, like that of a Swiss chalet, projected far enough to
cover a balcony on the second floor, with an ornamental balustrade; here
the mistress might walk under shelter and command a view of the street, or
of the pool shut in between two bridges and two rows of houses.
Houses by the river were at that time highly valued. The system of drainage
and water supply was not yet invented; the only main drain was one round
Paris, constructed by Aubriot, the first man of genius and determination
who--in the time of Charles V.--thought of sanitation for Paris. Houses
situated like this of the Sieur Lecamus found in the river a necessary
water-supply, and a natural outlet for rain water and waste. The vast works
of this kind under the direction of the Trade Provosts are only now
disappearing. None but octogenarians can still remember having seen the
pits which swallowed up the surface waters, in the Rue Montmartre, Rue du
Temple, etc. These hideous yawning culverts were in their day of
inestimable utility. Their place will probably be for ever marked by the
sudden rising of the roadway over what was their open channel--another
archæological detail which, in a couple of centuries, the historian will
find inexplicable.
One day, in 1816, a little girl, who had been sent to an actress at the
Ambigu with some diamonds for the part of a queen, was caught in a storm,
and so irresistibly swept away by the waters to the opening of the drain in
the Rue du Temple, that she would have been drowned in it but for the help
of a passer-by, who was touched by her cries. But she had dropped the
jewels, which were found in a man-hole. This accident made a great
commotion, and gave weight to the demands for the closing of these gulfs
for swallowing water and little girls. These curious structures, five feet
high, had more or less movable gratings, which led to the flooding of
cellars when the stream produced by heavy rain was checked by the grating
being choked with rubbish, which the residents often forgot to remove.
Public-domain text, read in full here on John Shaqi.
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