The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other StoriesBalzac, Honoré de
General
The Works of Honoré de Balzac: About Catherine de' Medici, Seraphita, and Other Stories
Balzac, Honoré de
French fiction -- Translations into English
The front of Master Lecamus' shop was a large window, but filled in with
small panes of leaded glass, which made the place very dark. The furs for
wealthy purchasers were carried to them for inspection. To those who came
to buy in the shop, the goods were displayed outside between the pillars,
which, during the day, were always more or less blocked by tables and
salesmen sitting on stools, as they could still be seen doing under the
arcade of the Halles some fifteen years since. From these outposts the
clerks, apprentices, and sewing girls could chat, question, and answer each
other, and hail the passer-by in a way which Walter Scott has depicted in
the _Fortunes of Nigel_. The signboard, representing an ermine, was hung
out as we still see those of village inns, swinging from a handsome arm of
pierced and gilt ironwork. Over the ermine were these words:
LECAMUS
Furrier
To Her Majesty the Queen and the King our
Sovereign Lord
On one side, and on the other:
"To Her Majesty the Queen Mother
And to the Gentlemen of the Parlement."
The words "To Her Majesty the Queen" had been lately added; the gilt
letters were new. This addition was a consequence of the recent changes
produced by Henri II.'s sudden and violent death, which overthrew many
fortunes at Court, and began that of the Guises.
The back shop looked over the river. In this room sat the worthy citizen
and his wife, Mademoiselle Lecamus. The wife of a man who was not noble had
not at any time any right to the title of Dame, or lady; but the wives of
the citizens of Paris were allowed to call themselves Demoiselle (as we
might say Mistress), as part of the privileges granted and confirmed to
their husbands by many kings to whom they had rendered great services.
Between this back room and the front shop was a spiral ladder or staircase
of wood, a sort of corkscrew leading up to the next story, where the furs
were stored, to the old couple's bedroom, and again to the attics, lighted
by dormer windows, where their children slept, the maid-servant, the
clerks, and the apprentices.
This herding of families, servants, and apprentices, and the small space
allotted to each in the dwelling, where the apprentices all slept in one
large room under the tiles, accounts for the enormous population at that
time crowded together in Paris on a tenth of the ground now occupied by the
city, and also for the many curious details of mediæval life, and the
cunning love affairs, though these, _pace_ the grave historian, are nowhere
recorded but by the story writers, and without them would have been lost.
Public-domain text, read in full here on John Shaqi.
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