Theocritus, Bion and Moschus, Rendered into English Prose — John Shaqi
Theocritus, Bion and Moschus, Rendered into English ProseTheocritus
General
Theocritus, Bion and Moschus, Rendered into English Prose
Theocritus
Greek poetry -- Translations into English; Pastoral poetry, Greek -- Translations into English
It is impossible to give a clearer idea of the opulence and luxury of
Alexandria and her kings, than will be conveyed by the description of the
coronation-feast of Ptolemy Philadelphus. This great masquerade and
banquet was prepared by the elder Ptolemy on the occasion of his
admitting his son to share his throne. The entertainment was described
(in a work now lost) by Callixenus of Rhodes, and the record has been
preserved by Atheneaus (v. 25). The inner pavilion in which the guests
of Ptolemy reclined, contained one hundred and thirty-five couches. Over
the roof was placed a scarlet awning, with a fringe of white, and there
were many other awnings, richly embroidered with mythological designs.
The pillars which sustained the roof were shaped in the likeness of
palm-trees, and of _thyrsi_, the weapons of the wine-god Dionysus. Round
three outer sides ran arcades, draped with purple tissues, and with the
skins of strange beasts. The fourth side, open to the air, was shady
with the foliage of myrtles and laurels. Everywhere the ground was
carpeted with flowers, though the season was mid-winter, with roses and
white lilies and blossoms of the gardens. By the columns round the whole
pavilion were arrayed a hundred effigies in marble, executed by the most
famous sculptors, and on the middle spaces were hung works by the
painters of Sicyon and tapestry woven with stories of the adventures of
the gods. Above these, again, ran a frieze of gold and silver shields,
while in the higher niches were placed comic, tragic, and satiric
sculptured groups ‘dressed in real clothes,’ says the historian, much
admiring this realism. It is impossible to number the tripods, and
flagons, and couches of gold, resting on golden figures of sphinxes, the
salvers, the bowls, the jewelled vases. The masquerade of this winter
festival began with the procession of the Morning-star, Heosphoros, and
then followed a masque of kings and a revel of various gods, while the
company of Hesperus, the Evening-star followed, and ended all. The revel
of Dionysus was introduced by men disguised as Sileni, wild woodland
beings in raiment of purple and scarlet. Then came scores of satyrs with
gilded lamps in their hands. Next appeared beautiful maidens, attired as
Victories, waving golden wings and swinging vessels of burning incense.
The altar of the God of the Vine was borne behind them, crowned and
covered with leaves of gold, and next boys in purple robes scattered
fragrant scents from golden salvers. Then came a throng of gold-crowned
satyrs, their naked bodies stained with purple and vermilion, and among
them was a tall man who represented the year and carried a horn of
plenty. He was followed by a beautiful woman in rich attire, carrying in
one hand branches of the palm-tree, in the other a rod of the peach-tree,
starred with its constellated flowers. Then the masque of the Seasons
swept by, and Philiscus followed, Philiscus the Corcyraean, the priest of
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