They Call Me Carpenter: A Tale of the Second Coming — John Shaqi
They Call Me Carpenter: A Tale of the Second ComingSinclair, Upton
General
They Call Me Carpenter: A Tale of the Second Coming
Sinclair, Upton
Hollywood (Los Angeles, Calif.) -- Fiction; Jesus Christ -- Fiction
Madame turned suddenly upon me. “I know you, Meester Billee,” she
said. “I have seen you with Mees Magna! Ah, naughtee boy! You have
the soft, fine hair--you should let it grow--eight inches we have to
have, and then you can come to me for the permanent wave. So many
young men come to me for the permanent wave! You know eet? Meester
Carpentair, you see, he has let hees hair grow, and he has the
permanent wave--eet could not be bettair eef I had done eet myself.
I say always, 'My work ees bettair than nature, I tell nature by the
eemperfections.' Eh, voila?”
I am not sure whether it was for the benefit of me or of Carpenter.
The deputee of the god of beautee was moved to volunteer a great
revelation. “Would you like to see how we make eet--the permanent
wave? I weel show you Messes T-S. But you must not speak--she would
not like eet if I showed her to gentlemen. But her back ees turned
and she cannot move. We do not let them see the apparatus, because
eet ees rather frightful, eet would make them seek. You will be very
steel, eh?”
“Mum's the word, Madame,” said Rosythe, speaking for the three of
us.
“O-o-o-o-o-o-o-o-oh!” moaned the voice.
“First, I weel tell you,” said Madame. “For the complete wave we wind
the hair in tight leetle coils on many rods. Eet ees very delicate
operations--every hair must be just so, not one crooked, not one
must we skeep. Eet takes a long time--two hours for the long hair;
and eet hurts, because we must pull eet so tight. We wrap each coil
een damp cloths, and we put them een the contacts, and we turn on
the eelectreeceetee--and then eet ees many hours that the hair ees
baked, ees cooked een the proper curves, eh? Now, very steel, eef
you please!”
And softly she opened the door.
X
Before us loomed what I can only describe as a mountain of red
female flesh. This flesh-mountain had once apparently been slightly
covered by embroidered silk lingerie, but this was now soaked in
moisture and reduced to the texture of wet tissue paper. The top of
the flesh-mountain ended in an amazing spectacle. It appeared as if
the head had no hair whatever; but starting from the bare scalp was
an extraordinary number of thin rods, six inches or so in length.
These rods stood out in every direction, and being of gleaming
metal, they gave to the head the aspect of some bright Phoebus
Apollo, known as the “far-darter;” or shall I say some fierce Maenad
with electric snakes having nickel-plated skins; or shall I say some
terrific modern war-god, pouring poison gases from a forest of
chemical tubes? Over the top of the flesh-mountain was a big metal
object, a shining concave dome with which all the tubes connected;
so that a stranger to the procedure could not have felt sure whether
the mountain was holding up the dome, or was dangling from it. A
piece of symbolism done by a maniac artist, whose meaning no one
could fathom!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account