This FreedomHutchinson, A. S. M. (Arthur Stuart-Menteth)
General
This Freedom
Hutchinson, A. S. M. (Arthur Stuart-Menteth)
Marriage -- Fiction; Women -- Social and moral questions -- Fiction
All these things were taught at her knee to each child in turn by
Rosalie’s mother, and each was taught out of the self-same books,
miraculously preserved by Rosalie’s mother; the backs of most of them
carefully stitched and re-stitched, and marked all through by the dates
of each child’s daily lesson, written in pencil by Rosalie’s mother. The
dates ranged from 1869 when Harold was being taught and when the books
were fresh and clean, and Rosalie’s mother fresh and ardent with her
first-born, to 1884, when Rosalie was being taught, and the books
very old and thumbed and most terribly crowded with pencil marks, and
Rosalie’s mother no longer fresh but rather worn, but teaching as fondly
and earnestly as ever, because it was her duty. Literally at the knee of
Rosalie’s mother these things were taught. On her knee with one of her
arms about you for the Bible teaching; and standing at her knee, hands
behind you, for the teaching of most of the rest. Yes, that was the
early education, and the manner of the education, of Rosalie and of her
brothers and sisters, and one perceives with indignation the spectacle
of a mother wasting her time like that and wasting her children’s time
like that.
Rosalie’s mother did everything in the house and she was always doing
something in the house--for somebody else. She never rested and she
was always worried. Her brows were always wrinkled with the feverish
concentration of one anxiously doing one thing while anxiously thinking
of another thing waiting to be done. She had a driven and a hunted look.
Now Rosalie’s father had a driving and a hunting look.
Rosalie’s father in his youth threw away everything. Rosalie’s mother
throughout the whole of her life gave away everything. Rosalie’s father
was a tragic figure dwelling in a house of bondage; but he was at least
a tragic king, ruling his house and venting his griefs upon his house.
Rosalie’s mother was a tragic figure and she was a tragic slave in the
house of bondage. The life of Rosalie’s father was a tragedy, but a
tragedy in some measure relieved because he knew it was a tragedy and
could wave his arms and shout and smash things and hurl beefsteaks
through the air because of the tragedy of it. But the life of Rosalie’s
mother was an infinitely deeper tragedy because she never knew or
suspected that it was a tragedy.
Still, that is so often the difference between the tragedy of a woman
and the tragedy of a man.
CHAPTER IV
Public-domain text, read in full here on John Shaqi.
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