"This was a man" : $b A comedy in three actsCoward, Noël
General
"This was a man" : $b A comedy in three acts
Coward, Noël
Comedy plays; English drama (Comedy) -- 20th century; Triangles (Interpersonal relations) -- Drama
[_She holds out her glass and he fills it, also his own._]
EVELYN
[_With great boldness_]
Why did you think we were talking about you?
CAROL
You both looked so guilty.
EVELYN
Surely that proves we weren’t.
CAROL
Very good, Evie.
EVELYN
You’re embarrassing me dreadfully.
CAROL
Am I? Why?
EVELYN
Because we _were_ discussing you.
CAROL
Ah!
EVELYN
I see it’s useless to try and deceive you for moment.
CAROL
What were you saying?
EVELYN
Must I tell you?
CAROL
Certainly.
EVELYN
You’re terribly unrelenting.
CAROL
Come on—out with it.
EVELYN
I was lecturing Edward.
[_BLACKWELL goes out._]
CAROL
Lecturing him?
EVELYN
Yes. I said he was paying too much attention to his work and not enough
to you.
CAROL
And do you think that’s true?
EVELYN
Yes.
CAROL
It isn’t; it’s the other way round, really. I neglect Edward. You should
have saved your lecture for me.
EVELYN
I’m sure it’s his fault, really, he’s so damned lackadaisical.
CAROL
It was nice of you, but a little interfering.
EVELYN
I’m sorry. I suppose I deserve to be snubbed.
CAROL
I’m not snubbing you, exactly, but I’m puzzled.
EVELYN
Why puzzled?
CAROL
It seems so strange that you should have taken up the cudgels on my side.
EVELYN
That was how I saw the situation.
CAROL
I never realized there was a situation.
EVELYN
There isn’t, but there may be soon.
CAROL
How horrid of you!
EVELYN
I know Edward pretty well, you know.
CAROL
And me hardly at all.
EVELYN
Exactly. That’s why I went to him, as I told you this afternoon. I always
felt that you disliked me and thought me dull.
CAROL
How absurd!
EVELYN
You did, all the same. You’d have crushed me to the earth if I’d dared
mention the subject to you.
CAROL
You must have thought me a prig.
EVELYN
Not in the least. I quite saw your point.
CAROL
And now—?
EVELYN
Now I’m muddled.
CAROL
Have I muddled you, Evie?
EVELYN
Yes, terribly.
CAROL
I’m so glad.
EVELYN
That’s malicious of you.
CAROL
Go ahead with your lecture.
EVELYN
Certainly not.
CAROL
Whose fault do you consider this slight drifting apart—Edward’s or mine?
EVELYN
Edward’s.
CAROL
I told you it was mine.
EVELYN
I don’t believe you.
CAROL
Stubborn.
EVELYN
Is it yours?
CAROL
Yes.
EVELYN
Why?
CAROL
[_Seriously_]
Oh, Evie—
EVELYN
Tell me.
CAROL
It’s rather difficult.
EVELYN
I’m awfully sympathetic.
CAROL
I believe you are.
EVELYN
You love him still, don’t you?
CAROL
Yes—in a way.
EVELYN
But not so much as you did?
CAROL
Not quite so much.
EVELYN
I suppose that’s inevitable in married life, always.
CAROL
I expect it is.
EVELYN
It’s sad, though.
CAROL
Not if one isn’t sentimental about it.
EVELYN
Are you ever sentimental about anything?
CAROL
[_Wistfully_]
Do I seem so hard?
EVELYN
A little, I think.
CAROL
I’m not, really.
EVELYN
I’m afraid Edward’s unhappy.
CAROL
Not deep down inside.
EVELYN
Are you sure?
CAROL
He may think he is.
EVELYN
Public-domain text, read in full here on John Shaqi.
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