"This was a man" : $b A comedy in three actsCoward, Noël
General
"This was a man" : $b A comedy in three acts
Coward, Noël
Comedy plays; English drama (Comedy) -- 20th century; Triangles (Interpersonal relations) -- Drama
[_She goes out quietly, leaving him standing stock-still. After a
moment the front door slams. EVELYN turns in the direction of the
sound._]
EVELYN
[_Emotionally_]
Carol—O God!
[_He goes over to the sofa and flings himself down on it, with his
face buried in his hands. CAROL comes softly in again. Her cloak is
over her arm. She gives one look in his direction and then goes
noiselessly into his bedroom, closing the door after her._]
CURTAIN
“THIS WAS A MAN”
Act Three
ACT III
_The scene is the same as Act I. It is about twelve o’clock in the morning.
One night has elapsed since Act II._
[_When the curtain rises the studio is empty. There is the sound
of the front-door bell ringing with some violence. BERRY enters,
R., and crosses over L. He exits and reappears in a moment,
ushering in EVELYN. EVELYN is looking extremely white and
strained._]
BERRY
Can I offer you anything to drink, sir?
EVELYN
No, thanks.
BERRY
The master’s sure to be in soon, sir.
EVELYN
All right, thanks.
BERRY
He’s only taking a walk in the Park.
EVELYN
I think I will have a drink, after all.
BERRY
Very good, sir. Whisky and soda?
EVELYN
Yes, please.
[_BERRY goes out. EVELYN proceeds to pace up and down the room a
little. BERRY returns with a whisky and soda._]
EVELYN
Oh, thanks.
[_He takes it._]
BERRY
Would you like the papers, sir, or have you seen them already?
EVELYN
I’ve seen them, thanks.
BERRY
Shall I tell Mrs. Churt that you are here, sir?
EVELYN
No—no. Please don’t disturb her.
BERRY
Very good, sir.
[_He goes out again. EVELYN once more proceeds to pace up and down with
the whisky and soda in his hand. He is obviously extremely agitated.
After a moment CAROL enters from R. She looks fresh and charming. She
gives a slight start on seeing EVELYN._]
CAROL
Evie!
EVELYN
[_Jumping—he turns_]
I’ve come to see Edward.
CAROL
What’s the matter?
EVELYN
I’ve come to see Edward.
CAROL
[_With faint apprehension_]
I know—you just said so. Aren’t you going to say good morning?
EVELYN
Good morning.
CAROL
[_Going over to him_]
No more than that?
EVELYN
No—no more.
[_He turns away._]
CAROL
[_Biting her lip_]
I see.
EVELYN
I want to see him alone.
CAROL
[_Putting her hand on his arm_]
Evie, what’s wrong?
EVELYN
You can seriously ask me that?
CAROL
Why are you behaving like this?
EVELYN
[_Turning away_]
You’re hopeless.
CAROL
You’re not going to do anything foolish, are you?
EVELYN
I’m going to do the only thing possible.
CAROL
[_Swinging him round_]
Evie!
EVELYN
Leave me alone.
CAROL
But listen—
EVELYN
[_Wrenching himself free from her_]
Don’t touch me, please.
CAROL
[_Pleading_]
Evie—please—why are you being so horrid?
EVELYN
I don’t want to look at you—or see you again ever!
CAROL
Why—why—what have I done?
Public-domain text, read in full here on John Shaqi.
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