"This was a man" : $b A comedy in three actsCoward, Noël
General
"This was a man" : $b A comedy in three acts
Coward, Noël
Comedy plays; English drama (Comedy) -- 20th century; Triangles (Interpersonal relations) -- Drama
It _is_ a shame. Why do you insist on drawing people in such agonizing
positions?
EDWARD
It makes them feel they’re getting their money’s worth. You can rest in a
moment and have a cigarette.
MARGOT
Was Violet Netherson pleased with your malicious portrayal of all her
worst points?
EDWARD
Delighted. As a matter of fact, it _is_ one of the best things I’ve done.
MARGOT
Yes, but hardly from her point of view. I should never forgive you if you
did that to me.
EDWARD
I shall do something much worse if you don’t keep still.
MARGOT
What about that cigarette?
EDWARD
Shut up.
MARGOT
All right. [_There is silence for a moment._] Is that one by the door new?
EDWARD
Yes, it’s the Fenwick girl—her mother’s convinced that she’s a wild
woodland type.
MARGOT
St. John’s Woodland.
EDWARD
I had a bit of a tussle with her.
MARGOT
I like it.
EDWARD
There now, you can relax. I shan’t do any more to-day.
[_MARGOT rises quickly and strides about._]
MARGOT
I should loathe to be a professional model.
EDWARD
There are worse fates I believe. Would you like tea or cocktails or
anything?
MARGOT
I should like some tea now and a cocktail later on.
EDWARD
Are you going to stay a long time?
MARGOT
I told Bobbie to pick me up.
EDWARD
[_Ringing bell_]
How is Bobbie?
MARGOT
Splendid. I’m still mad about him.
EDWARD
That’s right.
MARGOT
You don’t like him, do you?
EDWARD
I hardly know him.
MARGOT
He’s such a darling, and a great comfort to me.
EDWARD
[_Standing back and regarding his sketch_]
I shall only need one more sitting.
MARGOT
I believe you disapprove of me and Bobbie.
EDWARD
Don’t be ridiculous. Why should I?
MARGOT
You must _never_ disapprove of things, Edward. It’s so second rate.
EDWARD
You don’t mean that a bit.
MARGOT
Yes, I do.
EDWARD
You secretly disapprove of the whole affair, yourself, really. That’s
why you always talk about it so much—to sort of brazen it out and put
yourself straight with yourself.
MARGOT
Edward, how _can_ you! Anyhow, why shouldn’t I talk about it. You all
know. Everybody knows.
EDWARD
Reticence as a national quality seems to be on the wane.
MARGOT
What a pompous remark!
EDWARD
Perhaps—but true. [_Enter BERRY._] Tea please, Berry.
BERRY
Very good, sir.
MARGOT
Lemon with mine, please, Berry.
BERRY
Yes, my lady.
[_He goes out._]
MARGOT
You’re an awfully difficult person to know properly.
EDWARD
Am I?
MARGOT
You don’t give an inch, do you?
EDWARD
Why should I?
MARGOT
Oh, I don’t know. Confidences and discussions of everything make life so
much more amusing.
EDWARD
Modern society seems to demand intimacy all in a minute. You all lay bare
your private affairs to comparative strangers without a qualm.
MARGOT
Oh, Edward, dear, _we’re_ not strangers.
EDWARD
We met for the first time six months ago.
MARGOT
It seems _ever_ so much more.
EDWARD
Public-domain text, read in full here on John Shaqi.
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