"Those Holy Fields." Palestine, Illustrated by Pen and Pencil — John Shaqi
"Those Holy Fields." Palestine, Illustrated by Pen and PencilManning, Samuel
History
"Those Holy Fields." Palestine, Illustrated by Pen and Pencil
Manning, Samuel
Palestine -- Description and travel
They are fed by three perennial springs, which gush from the rock into a
cavern lined with masonry in the hill above the khan, access to which is
gained by a narrow doorway, and are conducted by a subterranean conduit
into the upper pool. In the valley, below the lower pool, on the way to
Bethlehem and Jerusalem, are traces of ancient gardens and orchards.
Fruit trees are growing wild; the hills on either side are terraced; and
there are indications of fountains, waterfalls, and arbours having been
constructed amongst the rocks. The name by which they are known,
Solomon’s Pools, leads the mind to the passage in Ecclesiastes: “I made
me great works; I builded me houses; I planted me vineyards: I made me
gardens and orchards, and I planted trees in them of all kinds of
fruits: I made me pools of water, to water therewith the wood that
bringeth forth trees.”[24] Though we have no positive proof that these
are relics of “the glory of Solomon,” the probability is strong in
favour of their being so.
About four hours and a half south of Solomon’s Pools, stands a city,
which contests with Damascus the distinction of being the oldest in the
world; and which, in historical interest, may almost vie with Jerusalem
itself—Hebron. It has been said that the road thither is unique, as
being absolutely the worst in the world. It would, however, be more
correct to say that for the greater part of the distance there is no
road at all. A track, indistinctly marked, crosses hill and valley, over
smooth sheets of slippery rock, winding in and out amongst piles of
stones, or leading into treacherous quagmires. Here and there traces of
Roman pavement may be detected, or a mass of limestone rock has been cut
through. In all other respects the rugged mountain-sides remain
unchanged. The scenery is monotonous and depressing. A succession of
bare, rounded hills, absolutely treeless, and apparently hopelessly
barren, stretch to the horizon in every direction. There is nothing to
break the solitude, save now and then a string of camels on their way
between Hebron and Jerusalem. Not a house, or sign of human habitation,
is visible.
[Illustration: SOLOMON’S POOLS.]
The prevailing grey tone of the landscape, save where a strip of
brilliant green in the valleys marks the line of a watercourse, adds to
the monotony. And yet this district, now so lonely and desolate, must at
some period have been both populous and prosperous. Ruins of ancient
villages are to be seen on every hand; and the lines of stones, which
now add to the sterile aspect of the hill-sides, prove on examination to
be the remains of artificial terraces, by means of which the steepest
slopes and the scantiest soil were once brought under cultivation.[25]
Public-domain text, read in full here on John Shaqi.
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