Three Days in the Village, and Other Sketches.: Written from September 1909 to July 1910.Tolstoy, Leo, graf
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Three Days in the Village, and Other Sketches.: Written from September 1909 to July 1910.
Tolstoy, Leo, graf
Russian fiction -- Translations into English; Short stories, Russian -- Translations into English
While we were talking, the lads came out into the street, and the
lamentations, shrieks, laughter, and adjurations recommenced. After
standing about for some five minutes, the procession moved on with
songs and accordion accompaniment. One could not help marvelling at the
energy and spirit of the player, as he beat time accurately, stamped
his foot, stopped short, and then after a pause again took up the
melody most merrily, exactly on the right beat, while he gazed around
with his kind, hazel eyes. Evidently he had a real and great talent for
music.
I looked at him, and (so at least it seemed to me) he felt abashed when
he met my eyes, and with a twitch of his brows he turned away, and
again burst out with even more spirit than before. When we reached the
fifth and last of the cottages, the lads entered, and I followed them.
All five of them were made to sit round a table covered with a cloth,
on which were bread and vódka. The host, the man I had been talking to,
who was now to take leave of his married son, poured out the vódka and
handed it round. The lads hardly drank at all (at most a quarter of a
glass) or even handed it back after just raising it to their lips. The
hostess cut some bread, and served slices round to eat with the vódka.
While I was looking at the lads, a woman, dressed in clothes that
seemed to me strange and incongruous, got down from the top of the
oven, close to where I sat. She wore a light green dress (silk, I
think) with fashionable trimmings, and high-heeled boots. Her fair hair
was arranged in quite the modern style, like a large round cap, and she
wore big, ring-shaped, gold earrings. Her face was neither sad nor
cheerful, but looked as if she were offended.
After getting down, she went out into the passage, clattering with the
heels of her new boots and paying no heed to the lads. All about this
woman--her clothing, the offended expression of her face, and above
all her earrings--was so foreign to the surroundings that I could not
understand how she had come to be on the top of Vasíly Oréhof's oven. I
asked a woman sitting near me who she was.
"Vasíly's daughter-in-law; she has been a housemaid," was the answer.
The host began offering vódka a third time, but the lads refused, rose,
said grace, thanked the hosts, and went out.
In the street, the lamentations recommenced at once. The first to raise
her voice was a very old woman with a bent back. She lamented in such a
peculiarly piteous voice, and wailed so, that the women kept soothing
the sobbing, staggering old creature, and supported her by her elbows.
"Who is she?" I inquired.
"Why, it's his granny; Vasíly's mother, that is."
Public-domain text, read in full here on John Shaqi.
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