Three Plays by Brieux: With a Preface by Bernard ShawBrieux, Eugène
General
Three Plays by Brieux: With a Preface by Bernard Shaw
Brieux, Eugène
French drama -- Translations into English
protecting marriage from being made a mere charter of libertinage and
slavery by its means, must be dealt with by improvements in conduct and
law, and not by a hopeless attempt to drive us all back to the time of
Mrs. Gamp. The tyranny which denies to the wife the right to become
a mother has become possible through the discovery of the means of
escape from the no less unbearable tyranny which compelled her to set
another child at the table round which those she had already borne were
starving because there was not enough food for them. When the French
Government, like Colonel Roosevelt, could think of no better cure for
the new tyranny than a revival of the old, Brieux added a play on the
old tyranny to his play on the new tyranny.
This is the explanation of what stupid people call the inconsistencies
of those modern dramatists who, like Ibsen and Brieux, are prophets as
well as playwrights. Ibsen did not write The Wild Duck to ridicule the
lesson he had already taught in Pillars of Society and An Enemy of the
People: he did it to head off his disciples when, in their stampede
from idealism, they forgot the need of ideals and illusions to men not
strong enough to bear the truth. Brieux’s La Foi has virtually the same
theme. It is not an ultramontane tract to defend the Church against
the sceptic. It is a solemn warning that you have not, as so many
modern sceptics assume, disposed of the doctrine when you have proved
that it is false. The miracle of St. Januarius is worked, not by men
who believe in it, but by men who know it to be a trick, but know also
that men cannot be governed by the truth unless they are capable of the
truth, and yet must be governed somehow, truth or no truth. Maternity
and The Three Daughters of Mr. Smith are not contradictory: they are
complementary, like An Enemy of the People and The Wild Duck. I myself
have had to introduce into one of my plays a scene in which a young
man defends his vices on the ground that he is one of my disciples. I
did so because the incident had actually occurred in a criminal court,
where a young prisoner gave the same reason and was sentenced to six
months imprisonment, less, I fear, for the offence than for the attempt
to justify it.
The Most Unmentionable of All Subjects.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account