German drama -- Translations into English; Tragedies (Drama)
MORITZ--I’ve passed!--Melchior, I’ve passed! Oh, let the world
go hang now--I have passed!--Who would have believed that I’d be
promoted! I can’t realize it! Twenty times over I read it! I can’t
believe it--but God be thanked, there it was--there it stayed! I =am=
promoted!--[_Smiling._] I don’t know--I feel so queer--the earth’s
going round.... Melchior, Melchior, if you only knew what I’ve gone
thru!
HANSY RILOW--Congratulations, Moritz!--Just be glad that you got away
safe!
MORITZ--You don’t know, Hansy--you can’t imagine what depended on it.
For the last three weeks I’ve slunk past that door as though it were
the mouth of hell. Then, to-day,--it was ajar! I think if a million had
been offered me, nothing, oh, nothing could have held me back! Before
I knew it I was standing in the middle of the room--I was opening the
record book, turning the pages, finding--and during all that time--it
makes me shudder!----
MELCHIOR--During all that time----
MORITZ--All that time the door behind me was standing wide open!--How I
got out, how I got down the stairs, I don’t remember.
HANSY RILOW--Did Ernest Roebel pass, too?
MORITZ--Oh, yes, Hansy, sure! Ernest Roebel is promoted the same way.
ROBERT--Then you just can’t have read right. Not counting the dunces’
bench, there are sixty-one of us with you and Roebel, and the upper
classroom can’t hold more than sixty!
MORITZ--I read perfectly right. Ernest Roebel is moved up just as I
am--both of us, for the present, to be sure, only =provisionally=.
During the first quarter it will be decided which of us must make room
for the other.--Poor Roebel! God knows I’m not afraid for myself any
more. I’ve looked too far down into the depths this time for that!
OTTO--I bet you five marks it’ll be you that makes room.
MORITZ--You haven’t got it. I don’t want to rob you.--Gosh, won’t I
grind from now on!--Now I can tell you all too,--and you can believe it
or not, it doesn’t matter now--but _I_ know, _I_ know how true it is:
if I had not been promoted, I’d have shot myself.
ROBERT--Brag!
GEORGE--The coward!
OTTO--I’d like to see you shoot anything!
LÄMMERMEIER--Punch his face!
MELCHIOR--[_Punches_ LÄMMERMEIER.] Come along, Moritz. Let’s go to the
forester’s house.
GEORGE--Do you really believe that rot?
MELCHIOR--Is that your business?--Let ’em talk, Moritz. Just let’s
get away, out o’ the city. [_He pulls him away. They meet_ PROFESSORS
KNOCHENBRUCH _and_ HUNGERGURT, _touch their caps, and exeunt. The other
boys vanish, to the other side._]
KNOCHENBRUCH--It is beyond my comprehension, dear colleague, how the
best of my pupils can feel drawn like that to the very worst of them
all.
HUNGERGURT--And beyond mine too, dear colleague.
CURTAIN
SCENE V.--_A sunny afternoon in a wood of beech and oak trees. Thick
undergrowth. A big oak-trunk with mossy roots. By it_, WENDLA
_stands, looking about for the path_. MELCHIOR _breaks thru the
brush_.
Public-domain text, read in full here on John Shaqi.
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