Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
On St. Nicholas’ Day, everyone flocks to a little village called Il
Melo (The Apple-tree), which worships the saint as its guardian. The
village is perched right on the ridge of a chain of hills, bowered in
apple-trees and surrounded by chestnut woods. It consists of eight
houses (including the _canonica_ or priest’s house), and a delightfully
clean whitewashed church. Outside the church is a large cross of black
wood, which the more rigorous kiss before entering; for it was left
them, long years back, as the story goes, by a saint-like friar who
journeyed through the land preaching to the people.
The Feast of St. Nicholas occurring shortly before I left Tuscany, I
resolved to see what was to be seen, and passed the previous night
at a farm-house, which, lying higher than my village, was somewhat
nearer to the scene of action. A magnificent thunder-storm rendered
sleep impossible, and lit up the surrounding hills with wondrous
beauty. The next morning was bright and fresh with dripping leaves and
mist-wreathed hills, and I started early for the Melo with a peasant
friend and my landlord’s son. Our party was soon materially increased,
however, for we emerged from the chestnut woods on to the road just
as a band of men, with three horses, bound for the same village, were
passing the farm-house. They were charcoal burners, and the horses were
those poor thin beasts which make their way along impossible roads
up and down the mountains, loaded with two great sacks of charcoal.
Everything was changed to-day, however. The men were not “in black,” as
_Punch_ has it. They wore clean shirts, and bright ties, and carried
their best coats flung over their arms. The horses, also, no longer
carried charcoal: a single sack, knobbly with parcels for various
farm-houses, or with things to be sold at the fair, lay across the
pack-saddle, and was tied down with a rope.
“Get up, Signorina,” said my friends. “It’s a long way to the Melo, and
you’ll be tired.”
“This last horse is quite safe,” said the man, “and there’s nothing
that can hurt in the sack.”
It certainly did not look inviting, but I determined to try,
nevertheless. So the horse was made to stand by a stone wall, and up I
got; on the wrong side, of course—there was no help for that.
The road was like all hillside roads; now up, now down, now of large
slippery stones, now of loose rolling small ones; and when the horse
took to making glissades down the former and catching his feet in
the latter, I did not find a knobbly charcoal sack, without pommel,
stirrup, or bridle, the most pleasant of pleasant seats. However I held
on bravely by the wooden front of the pack-saddle, and saved my legs if
I exercised my arms and back. A curious procession we must have made,
winding through the woods to the music of a concertina with which one
of the men intended to provide for the dancing.
Public-domain text, read in full here on John Shaqi.
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