England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
He was directed to one of the brick houses which cluster near the
Hospital itself, and closely resemble it in their details; his guide
hobbling before him, and now and then throwing at him a suspicious
glance. Everything was exquisitely trim and clean; the warm colours,
the tender shadows on the old brick, the sunshine, the sober
cheerfulness, the lilacs just breaking out in the gardens, the filmy
green which daintily touched the trees, were full of delightful charm;
and, though the river was not visible, a sort of feeling of its
neighbourhood--a freshness in the air, an opening in the distance--added
to this charm.
They were not long in reaching the Lascelles' house, built, like the
others, of substantial, warm red brick, square and solid, with
well-grown trees about it, and gay flowering shrubs, in which blackbirds
were singing, as if London were miles away. It must be owned that, as
Everitt walked up the back staircase--which was, however, of oak--he
began to feel unusually embarrassed.
The little room into which he was ushered was as different from his own
lofty and convenient studio as could be imagined, yet it was all in
keeping with the rest. A rough sandy English terrier, with prick ears
and bright dark eyes, made an immediate dash at him, and was seized by
his mistress. This gave Everitt time to glance round him, and to
observe that the room was panelled with old oak, and painted above a
dull green; that the light was excellent, and the furniture of a
somewhat scanty description; that a good many vigorous studies were
stuck about; and that the whole aspect of the place looked like
business.
Then he surveyed Miss Lascelles, who was pacifying her dog.
She was not at all the sort of person he had expected to see, though it
must be owned he had built his ideas without a vestige of foundation.
She was small and very girlish-looking, with a bright, happy face and
pretty, graceful movements. Her dress was of some soft brown material,
with velvet of a darker shade about the neck which matched the brown
hair lying smoothly on her little head.
"Sandy, be quiet!" she said; then looking at Everitt, "You are sent by
Mr Everitt?"
"Signorina, yes." He felt that on this score, at any rate, there could
be no question.
"I have been expecting you for some time," she went on; "I should like
you to be more punctual another morning. But now I will show you where
you are to stand."
To stand! Everitt's heart sank; he had hoped he might sit.
"I want," said Miss Lascelles, calmly--"I want you to stand with your
hand above your eyes, shading them--so. You are to be one of a group of
peasants who are coming into Rome with all their goods, escaping from an
inundation--you must have seen them, I'm sure? You are leading the
string, and looking before you eagerly, perhaps to see whether some one
who is missing is in front. You understand?"
"Signorina, yes. But--"
"What?"
"The sun with an inundation?"
Public-domain text, read in full here on John Shaqi.
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