Under Sentence of Death; Or, a Criminal's Last HoursHugo, Victor
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Under Sentence of Death; Or, a Criminal's Last Hours
Hugo, Victor
French fiction -- Translations into English
My youth, my good behaviour, my attention to the gaol chaplain, and
especially a word or two of Latin which I addressed to the porter, who
did not understand them, by the way, gave me the privilege of outdoor
exercise every week with the other prisoners, and released me from the
terrible strait-waistcoat which paralyzed my every movement. After a
great deal of hesitation I was permitted the use of pen, ink, and paper,
as well as a lamp in the evenings. Every Sunday, after hearing mass, I
was permitted to go into the courtyard during the hour devoted to
exercise. There I had long conversations with the prisoners. Why not?
They are good enough fellows, these poor wretches. They told me what
crimes they had committed. At first I was horrified, but after a time I
found out that they were given to boasting. They taught me to talk
slang, _patter-flash_, as they called it. Thieves’ slang is a perfect
language grafted on to our expressions of every-day life, a species of
hideous excrescence like some loathsome worm. When you first hear this
language spoken you instinctively experience a feeling of repulsion as
when you see a bundle of foul and dirty rags shaken before you.
But these men pitied me, and they were the only ones who did so. As for
the warders, the turnkeys, and the gaolers, I scorned their pity, for
they would talk and laugh about me to my very face as though I were some
inanimate object.
CHAPTER VI.
I SAID to myself, “Since I have been furnished with the means of
writing, why should I not use them? But what shall I write?” Shut up
between four cold and naked stone walls, with no liberty for my feet, no
vista for my eyes to range, my sole occupation to follow the slow
movement of the white square of light, which, falling through the wicket
in my cell door, seemed chiselled in the dark wall of my prison, and, as
I said before, alone with one remembrance, the remembrance of a crime
and its punishment, of murder, and of death—what have I to say, I who
have no longer part and parcel in this world? And how will this
shattered brain enable me to write anything worth reading?
But why not? Even though all around me is sombre and out of gear, is
there not in me a tempest, a struggle, a tragedy? This fixed idea that
holds me in its power, does it not present itself to me each hour in a
different shape, in a novel form, and each one more hideous and
blood-stained than the one that preceded it? Why should I not endeavour
to speak to myself of all the terrible and hitherto unknown sensation
that I experience in the desolate position in which I am. Assuredly
there is ample material, and though my days are numbered, yet there is
enough of anguish, terror, and torture in these last hours of mine to
wear out the pen and to empty the inkstand.
Besides, the only method in which I can allay my torments is to observe
them closely. The mere fact of describing them will give me repose.
Public-domain text, read in full here on John Shaqi.
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