Vacation days in GreeceRichardson, Rufus B. (Rufus Byam)
History
Vacation days in Greece
Richardson, Rufus B. (Rufus Byam)
Greece -- Description and travel
It is not so very many years ago that general scepticism prevailed
about Homeric topography. But now, just as one smiles, in listening
to Dörpfeld's masterly exposition of the thoroughly excavated walls
of Troy, at the thought that "if Troy ever stood" was catalogued by
an almost contemporary poet with insoluble riddles, like "if Israel's
missing tribes found refuge here," so, in passing over Ithaca with the
Odyssey in hand, one smiles to think that not long ago Hercher could
maintain that there was no agreement between the Ithaca of the Odyssey
and the Ithaca of reality. It may be granted that Hercher knocked out
the somewhat visionary Gell; but he did not touch Leake; indeed, it
seems as if he had not read Leake at all. There is one passage in
the Odyssey which seemed to support Hercher, in which Ithaca is spoken
of as "a low island," and as "lying apart and farther to the west than
Samos and Zakynthos." How the poet, be he the original poet of the
Odyssey or an _epigonos_, ever happened to say this of Ithaca, the
rugged island lying close up against the eastern shore of Kephallenia,
no one has yet satisfactorily explained. But, apart from this Homeric
crux, there is a most gratifying coincidence between "the Land and the
Book." The topography of Ithaca has gained respect in proportion as
attempts have been given up to force Corfu into identity with the land
of the Phæacians.
In respect to Schliemann's and Gell's acropolis on Mt. Aëtos at the
narrowest part of the island, it must be granted that this was an
important fortress of the Homeric period, controlling communication
between the northern and southern halves of the island, as well as the
nearest approach from Samos, which was probably always in antiquity the
main city of Kephallenia. But that the main city of Ithaca was ever on
this eagle's eyrie is in accordance neither with antecedent probability
nor with the poet's story.
Public-domain text, read in full here on John Shaqi.
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