Wakeman's handbook of Irish antiquitiesWakeman, W. F. (William Frederick)
History
Wakeman's handbook of Irish antiquities
Wakeman, W. F. (William Frederick)
Ireland -- Antiquities
The abbeys, though frequently of considerable extent and magnificence,
are in general more remarkable for the simple grandeur of their
proportions. The finest exhibit many characteristics of Transition
style; but Early Pointed is also found, and in great purity. There are
in Ireland but few very notable examples of the succeeding styles.
Decoration, indeed, was not so much desired as strength and security;
and we do not require the testimony of the ‘Irish Annals’ to show that
the church buildings had occasionally to stand upon their defence: the
bartizans surmounting the doorways of some, and the crenellated walls
of many, are sufficient evidence of this.
There are certain antiquities which cannot well be classed with the
remains referred to in the three preceding headings. Many of the
lake-dwellings, or crannogs, for instance, are believed, with good
reason, to have been in use even in pagan times in Ireland; some of
these artificial islets were used in mediæval times, and several are
recorded to have been occupied as places of human habitation so late as
the seventeenth century. It would, therefore, be hazardous to classify
them with either pagan or Christian remains, and it is certain that
they are not Anglo-Irish. A description of these will, however, be
given in a subsequent chapter.
_Pillar-stones_ or _Dallans_ are found in many parts of Ireland, and
particularly in districts where stone circles, cairns, and cromlechs
occur. They are usually rough monoliths, and evidently owe their
upright position, not to accident, but to the design and labour of
a primitive people. They are usually called by the native Irish,
‘Gallauns’ or ‘Leaghauns,’ and in character they are precisely similar
to the hoar-stone of England, the hare-stane of Scotland, the maen-qwyr
of Wales, and the Continental menhir.
Public-domain text, read in full here on John Shaqi.
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