Great Britain. Royal Air Force; World War, 1914-1918 -- Aerial operations
I had another twenty minutes’ night flying a couple of nights ago, and
did a good landing. It was almost pitch dark, as there was a long row
of clouds at 2,000 feet which hid the moon. We had flares out, and a
searchlight lighting up the track; but from the moment you start moving
you go out into inky darkness, flying on, seeing nothing till the
altimeter tells you that you are high enough to turn. Then round, and
the twinkling lights of the Aerodrome beneath. Higher, and gradually,
as you become accustomed to the dark, you pick out a road here and a
clump of trees there, till finally the picture is complete. At length,
you throttle down the engine and glide--keeping a watchful eye on the
altimeter, aerodrome, and air speed indicator. When about 400 feet
up you open out your engine again, and fly in towards the aerodrome,
stopping your engine just outside. Then you glide down and land
alongside the flares.
As I write, I hear a lively bugle band in the distance on the march.
More troops going up to the trenches, I suppose. Our gramophone still
plays on, our gardens and flower-beds are blooming, and all is well.
* * * * *
[Sidenote: Photos.]
To-day I went up to take photos, and went over the lines four times,
carefully sighting the required trenches, and taking eighteen photos.
I spent nearly two and a half hours in the air, and when I got back
I found the string that worked the shutter had broken after my third
photo, and the rest had not come out. It was disappointing, because
my last three journeys over the lines need not have been made, and
incidentally it would have saved getting a hole through one of my
planes.
J. saw a scrap in the air to-day in which one of our machines was
brought down. He was too far off to help. The report came in first
that it was my ’bus which was down, but neither I nor my escort machine
saw the fight, which must have been some distance off.
* * * * *
[Sidenote: Hide and Seek.]
Public-domain text, read in full here on John Shaqi.
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