Shakespeare, William, 1564-1616 -- Criticism and interpretation
and the orders of Richard in the last act, for white Surrey to be
saddled, ink and paper to be brought, and a bowl of wine to be filled,
show that the poet's great confident manner was formed, on all the four
sides of its perfection. The years only brought it to a deeper glow.
_The Merchant of Venice._
_Written._ (?)
_Published._ 1600.
_Source of the Plot._ The ancient story of the merciless Jew is
told in the _Gesta Romanorum_, and re-told, with delicate grace, by
Giovanni Fiorentino, a fourteenth-century Italian writer, in his
_Il Pecorone_ (the simpleton), a collection of novels, or, as we
should call them, short stories. The story of the three caskets is
also told in the _Gesta Romanorum_. Other incidents in the play are
taken from other sources, possibly from other plays. It is thought
by some that the character of Shylock was suggested by the case of
the Spanish Jew, Lopez, who was hanged, perhaps unjustly, for
plotting to poison Queen Elizabeth, in 1594. The main source of the
dramatic fable is Fiorentino's story.
_The Fable._ Portia, the lady of Belmont, has three caskets, one of
gold, one of silver, one of lead. She is vowed to marry the man
who, on viewing the caskets, guesses which of them contains her
portrait. Various attempting suitors fail to guess rightly.
Bassanio, eager to try the hazard, obtains money from his friend
Antonio, to equip him. Antonio borrows the money from the Jew,
Shylock, on condition that, should he fail to repay the debt by a
fixed day, a pound of his flesh shall be forfeit to the Jew.
Bassanio guesses rightly and weds Portia.
Antonio fails to repay the debt, and is lodged in prison. Bassanio
hears of his friend's disaster. Portia bids him fly to Antonio with
money enough to pay the debt threefold. Shylock refuses the offer.
He clamours for his pound of flesh. The case comes to trial.
At the hearing of the case in the Duke's court, Portia, disguised
as a judge, gives sentence, that Shylock may have his pound of
flesh; but that if he shed Christian blood in the taking of it, his
life will be forfeit. Shylock is confounded further by a charge of
endangering a Christian's life. He is fined and humbled. Portia,
still in disguise, asks as her fee a ring that she has given to
Bassanio. Bassanio, hesitating, at last gives the ring, and returns
home without it. Portia's pretended indignation at the loss of the
ring ends the last act with comedy.
Public-domain text, read in full here on John Shaqi.
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