Dramatists, English -- Early modern, 1500-1700 -- Biography; Shakespeare, William, 1564-1616; Stratford-upon-Avon (England) -- Biography
luminous in the vast azure of this spirit. Lycurgus, that peevish
sage, half way between a Solon and a Draco, was conquered by Homer.
He turned out of the way, while travelling, to go and read, at the
house of Cleophilus, Homer's poems, placed there in remembrance of
the hospitality that Homer, it is said, had formerly received in that
house. Homer, to the Greeks, was a god; he had priests,--the Homerides.
Alcibiades gave a bombastic orator a cuff for boasting that he had
never read Homer. The divinity of Homer has survived Paganism. Michael
Angelo said, "When I read Homer, I look at myself to see if I am not
twenty feet in height." Tradition will have it that the first verse of
the Iliad should be a verse of Orpheus. This doubling Homer by Orpheus,
increased in Greece the religion of Homer. The shield of Achilles[1]
was commented on in the temples by Damo, daughter of Pythagoras.
Homer, as the sun, has planets. Virgil, who writes the Æneid, Lucan,
who writes "Pharsalia," Tasso, who writes "Jerusalem," Ariosto, who
composes "Roland," Milton, who writes "Paradise Lost," Camoëns, who
writes the "Lusiades," Klopstock, who wrote the "Messiah," Voltaire,
who wrote the "Henriade," gravitate toward Homer, and sending back
to their own moons his light reflected in different degrees, move at
unequal distances in his boundless orbit. This is Homer. Such is the
beginning of the epic poem.
2. Another, Job, began the drama. This embryo is a colossus. Job begins
the drama, and it is forty centuries ago, by placing Jehovah and
Satan in presence of each other; the evil defies the good, and behold
the action is begun. The earth is the place for the scene, and man
the field of battle; the plagues are the actors. One of the wildest
grandeurs of this poem is that in it the sun is inauspicious. The sun
is in Job as in Homer; but it is no longer the dawn, it is midday. The
mournful heaviness of the brazen ray falling perpendicularly on the
desert pervades this poem, heated to a white heat. Job sweats on his
dunghill. The shadow of Job is small and black, and hidden under him,
as the snake under the rock. Tropical flies buzz on his sores. Job has
above his head the frightful Arabian sun,--a bringer-up of monsters, an
amplifier of plagues, who changes the cat into the tiger, the lizard
into the crocodile, the pig into the rhinoceros, the snake into the
boa, the nettle into the cactus, the wind into the simoon, the miasma
into the plague. Job is anterior to Moses. Far into ages, by the side
of Abraham, the Hebrew patriarch, there is Job, the Arabian patriarch.
Before being proved, he had been happy,--"the greatest man in all
the East," says his poem. This was the labourer-king. He exercised
the immense priesthood of solitude; he sacrificed and sanctified.
Toward evening he gave the earth the blessing,--the "berac." He was
learned; he knew rhythm; his poem, of which the Arabian text is lost,
was written in verse,--this, at least, is certain as regards from
Public-domain text, read in full here on John Shaqi.
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