English drama (Comedy); English drama -- 17th century
Not long after, old Mr. Wycherley died; and his son, now past the
middle of life, came to the family estate. Still, however, he was
not at his ease. His embarrassments were great; his property was
strictly tied up; and he was on very bad terms with the heir-at-law.
He appears to have led, during a long course of years, that most
wretched life, the life of an old boy about town. Expensive tastes
with little money and licentious appetites with declining vigour, were
the just penance for his early irregularities. A severe illness had
produced a singular effect on his intellect. His memory played him
pranks stranger than almost any that are to be found in the history
of that strange faculty.[15] It seemed to be at once preternaturally
strong and preternaturally weak. If a book was read to him before he
went to bed, he would wake the next morning with his mind full of the
thoughts and expressions which he had heard over night; and he would
write them down, without in the least suspecting that they were not his
own. In his verses the same ideas, and even the same words, came over
and over again several times in a short composition. His fine person
bore the marks of age, sickness and sorrow; and he mourned for his
departed beauty with an effeminate regret. He could not look without
a sigh at the portrait which Lely had painted of him when he was only
twenty-eight, and often murmured, _Quantum mutatus ab illo_.
He was still nervously anxious about his literary reputation, and, not
content with the fame which he still possessed as a dramatist, was
determined to be renowned as a satirist and an amatory poet. In 1704,
after twenty-seven years of silence, he again appeared as an author.
He put forth a large folio of miscellaneous verses, which, we believe,
has never been reprinted. Some of these pieces had probably circulated
through the town in manuscript. For, before the volume appeared, the
critics at the coffee-houses very confidently predicted that it would
be utterly worthless, and were in consequence bitterly reviled by the
poet in an ill-written foolish and egotistical preface. The book amply
vindicated the most unfavourable prophecies that had been hazarded.
The style and versification are beneath criticism; the morals are
those of Rochester. For Rochester, indeed, there was some excuse. When
his offences against decorum were committed, he was a very young man,
misled by a prevailing fashion. Wycherley was sixty-four. He had long
outlived the times when libertinism was regarded as essential to the
character of a wit and a gentleman. Most of the rising poets, Addison,
for example, John Philips and Rowe, were studious of decency. We can
hardly conceive anything more miserable than the figure which the
ribald old man makes in the midst of so many sober and well-conducted
youths.
Public-domain text, read in full here on John Shaqi.
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