English drama (Comedy); English drama -- 17th century
In the very year in which this bulky volume of obscene doggerel was
published, Wycherley formed an acquaintance of a very singular kind.
A little, pale, crooked, sickly, bright-eyed urchin, just turned of
sixteen, had written some copies of verses in which discerning judges
could detect the promise of future eminence. There was, indeed, as
yet nothing very striking or original in the conceptions of the young
poet. But he was already skilled in the art of metrical composition.
His diction and his music were not those of the great old masters; but
that which his ablest contemporaries were labouring to do he already
did best. His style was not richly poetical; but it was always neat,
compact and pointed. His verse wanted variety of pause, of swell and
of cadence, but never grated harshly on the ear or disappointed it by
a feeble close. The youth was already free of the company of wits, and
was greatly elated at being introduced to the author of _The Plain
Dealer_ and _The Country Wife_.
It is curious to trace the history of the intercourse which took place
between Wycherley and Pope--between the representative of the age
that was going out and the representative of the age that was coming
in--between the friend of Rochester and Buckingham and the friend of
Lyttleton and Mansfield. At first the boy was enchanted by the kindness
and condescension of his new friend, haunted his door and followed him
about like a spaniel from coffee-house to coffee-house. Letters full
of affection, humility and fulsome flattery were interchanged between
the friends. But the first ardour of affection could not last. Pope,
though at no time scrupulously delicate in his writings or fastidious
as to the morals of his associates, was shocked[16] by the indecency of
a rake who, at seventy, was still the representative of the monstrous
profligacy of the Restoration. As the youth grew older, as his mind
expanded and his fame rose, he appreciated both himself and Wycherley
more correctly. He felt a well-founded contempt for the old gentleman's
verses, and was at no great pains to conceal his opinion. Wycherley,
on the other hand, though blinded by self-love to the imperfections
of what he called his poetry, could not but see that there was an
immense difference between his young companion's rhymes and his own.
He was divided between two feelings. He wished to have the assistance
of so skilful a hand to polish his lines; and yet he shrank from the
humiliation of being beholden for literary assistance to a lad who
might have been his grandson.
Public-domain text, read in full here on John Shaqi.
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