English drama (Comedy); English drama -- 17th century
It is the same with _The Plain Dealer_. How careful has Shakespeare
been in _Twelfth Night_ to preserve the dignity and delicacy of Viola
under her disguise! Even when wearing a page's doublet and hose, she
is never mixed up with any transaction which the most fastidious mind
could regard as leaving a stain on her. She is employed by the Duke on
an embassy of love to Olivia, but on an embassy of the most honourable
kind. Wycherley borrows Viola--and Viola forthwith becomes a pander of
the basest sort. But the character of Manly is the best illustration of
our meaning. Molière exhibited in his misanthrope a pure and noble mind
which had been sorely vexed by the sight of perfidy and malevolence
disguised under the forms of politeness. As every extreme naturally
generates its contrary, Alceste adopts a standard of good and evil
directly opposed to that of the society which surrounds him. Courtesy
seems to him a vice; and those stern virtues which are neglected by the
fops and coquettes of Paris become too exclusively the objects of his
veneration. He is often to blame; he is often ridiculous: but he is
always a good man; and the feeling which he inspires is regret that a
person so estimable should be so unamiable. Wycherley borrowed Alceste,
and turned him--we quote the words of so lenient a critic as Mr. Leigh
Hunt--into "a ferocious sensualist, who believed himself as great a
rascal as he thought everybody else." The surliness of Molière's hero
is copied and caricatured. But the most nauseous libertinism and the
most dastardly fraud are substituted for the purity and integrity of
the original. And, to make the whole complete, Wycherley does not
seem to have been aware that he was not drawing the portrait of an
eminently honest man. So depraved was his moral taste, that, while he
firmly believed that he was producing a picture of virtue too exalted
for the commerce of this world, he was really delineating the greatest
rascal that is to be found even in his own writings.
_LOVE IN A WOOD; OR ST. JAMES'S PARK._
----Excludit sanos Helicone poetas
Democritus.[23]--HORAT.
Public-domain text, read in full here on John Shaqi.
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