But is not "the volume of this book" a serious one? Is it not profoundly in earnest? Are not its themes most solemn? Is not its purpose the highest under heaven, the most important to the inhabitants of earth? The conclusion, however, that the questioner has in mind is by no means inevitable. It is a mistake to suppose that humor is incompatible with seriousness, earnestness and solemnity. "As in one of my lectures," says Henry Reed, "I spoke of attempting to draw too precise a line around sacred literature, making it too much a thing apart, so in regard to the literature of wit and humor. I shall be very sorry, if such a title as that which I have been obliged to use, led any one to think of it as of a more distinctive existence than is the case, instead of regarding those faculties as pervading the literature in various degrees, and thus forming some of the elements of its life. I shall have occasion to trace these elements in close connection with elements of tragedy, and to show how the processes we generalize under the names of wit and humor are kindred with the most intense passion and the deepest feeling." In human nature, the sources of laughter and tears lie close together, and the highest literature must express that nature in its entirety. "It is an understood fact," says Whipple, "that mirth is as innate in the mind as any other original faculty. The absence of it in individuals or communities is a defect." "He who laughs," says the mother of Goethe, "can commit no deadly sin." If it be true as Whipple says, that the absence of mirth in individuals or communities is a defect, then is the absence of it in literature likewise a defect. It is a defect because the literature which omits it fails to set forth all that there is in man. It leaves an important territory unexplored. On the other hand, the literature which is designed to move and mold men must be addressed to human nature in its completeness. Freighted with destiny, charged with eternity as are the messages of the Bible, they are yet intended to impress men; they are addressed to human faculties in human speech. Whatever the capacities of language for touching the heart and operating upon the will, they may all be employed, though the theme soar to heaven or take hold on hell. The Bible is not an instrument of a single string; it gives forth a thousand harmonies. It is attuned to every note in human nature. III. Thus far we have simply dealt with the presumption. The considerations advanced show us what we might expect to find. When we proceed from presumption to actual investigation, our conjectures are verified. There are certainly passages in the Bible which in any other writings we should call Wit and Humor. Since this is the case, our discussion is legitimate, however repugnant the very suggestion may be to the feelings with which we are accustomed to regard the Bible.