While she had been nursing Blanden, excluded from the world, her enemies had been indefatigably active in destroying her character. Buschmann had kept his word, and in revenge had spoken everywhere with most ruthless exaggerations of her affair with Blanden. The duel, it is true, had not come to the official knowledge of the authorities, but it was spoken of in every circle. People pitied Blanden, but with the pity soon was mingled the condemning verdict, "he loves adventures!" The Signora herself, however, appeared as one of those intriguing _prime donne_, who know how to attract a number of lovers and admirers, and then set them one against another, so that some fatal scandal may show the power of their beauty in high relief. In this troubled domain of public opinion, Spiegeler now cast his evil seed--notice after notice full of piquant stings, innuendoes, unmistakable hints. In his paper he had an article, "Behind the Scenes;" there Giulia was the heroine. In the most absurd paragraphs, she was not named, but none could fail to guess it was she. Side by side with them appeared criticising treatises upon the art of song, containing most violent attacks upon Signora Bollini, who was invariably held up as an appalling example of bad mannerisms and taste. Müller von Stallupöhnen, who with his ivory _bâton_ as yet had conducted none of his own operas, supported the journalist, so void of musical knowledge, in this labour. Had not the directors of the East Sea town already rejected four of his operas, and favoured Italian music in a marked manner by the Signora's long engagement?