Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
I began next to speak of the Comte de Paris, to ask whether he was not
one of Swann's friends, for I was afraid lest the conversation should
drift away from him. "Why, yes!" replied M. de Norpois, turning towards
me and fixing upon my modest person the azure gaze in which floated, as
in their vital element, his immense capacity for work and his power of
assimilation. And "Upon my word," he added, once more addressing my
father, "I do not think that I shall be overstepping the bounds of the
respect which I have always professed for the Prince (though without,
you understand, maintaining any personal relations with him, which would
inevitably compromise my position, unofficial as that may be), if I tell
you of a little episode which is not without point; no more than four
years ago, at a small railway station in one of the countries of Central
Europe, the Prince happened to set eyes on Mme. Swann. Naturally, none
of his circle ventured to ask his Royal Highness what he thought of her.
That would not have been seemly. But when her name came up by chance in
conversation, by certain signs--imperceptible, if you like, but quite
unmistakable--the Prince appeared willing enough to let it be understood
that his impression of her had, in a word, been far from unfavourable."
"But there could have been no possibility, surely, of her being
presented to the Comte de Paris?" inquired my father.
"Well, we don't know; with Princes one never does know," replied M. de
Norpois. "The most exalted, those who know best how to secure what is
due to them, are as often as not the last to let themselves be
embarrassed by the decrees of popular opinion, even by those for which
there is most justification, especially when it is a question of their
rewarding a personal attachment to themselves. Now it is certain that
the Comte de Paris has always most graciously recognised the devotion of
Swann, who is, for that matter, a man of character, in spite of it all."
"And what was your own impression, your Excellency? Do tell us!" my
mother asked, from politeness as well as from curiosity.
All the energy of the old connoisseur broke through the habitual
moderation of his speech as he answered: "Quite excellent!"
And knowing that the admission that a strong impression has been made on
one by a woman takes its place, provided that one makes it in a playful
tone, in a certain category of the art of conversation that is highly
appreciated, he broke into a little laugh that lasted for several
seconds, moistening the old diplomat's blue eyes and making his
nostrils, with their network of tiny scarlet veins, quiver. "She is
altogether charming!"
"Was there a writer of the name of Bergotte at this dinner, sir?" I
asked timidly, still trying to keep the conversation to the subject of
the Swanns.
Public-domain text, read in full here on John Shaqi.
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