England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
Lottie turned upon him with flashing eyes; and this time she did not
laugh at the young man who, over the Signor’s shoulder, followed every
movement of hers with such eager attention. His look of wonder and fear
was not less comic than the other changes which had come over his
countenance, but she took no notice of it. “I don’t know what you mean,”
she said, “by professional training. What do I want with professional
training? What has Mr. Purcell to do with it? What do you mean, or how
should I suffer? If they thank me, or if they don’t thank me, what is
that to me?”
The Signor cast a glance round at young Purcell, who answered with a
look of despair. “If you would but confide in us, we thought we could
help you. Indeed, Miss Despard, it is no presumption on Purcell’s part,
only a fellow-feeling----”
“Only a feeling--of respect!” This Purcell timidly gasped out, with
alarm painted on every feature. Lottie, turning her back to the wall and
confronting the two musicians, solemnly made them a very awful curtsey.
It was an art she had learned (though the teacher was unaware of the
fact) from Lady Caroline; and therefore it was of the very finest and
most imposing kind.
“The puzzle is,” she said grandly, in a voice not unlike Lady
Caroline’s, “what the link between us may be.”
They were both silenced by this speech, and by her imposing aspect
generally; for Lottie was very handsome, and this defiant grandeur
suited her. Purcell felt disposed to sink into the earth, and showed it;
but as for the Signor, he was less alarmed, and, indeed, a little
amused--he had seen a great number of heroines, both in public and
private life.
“It is always wrong to beat about the bush,” he said. “Perhaps I have
made a mistake; I thought you probably intended to sing, Miss Despard,
as a profession.”
“I!” Lottie’s voice broke into a half shriek. “I!” The suggestion gave
her a shock which it was hard to get over. She felt a trembling of
giddiness and insecurity, as if the ground had suddenly been cut from
under her; she could have cried for mortification, injured pride,
horrible humbling and downfall. She who had been mourning this change as
taking from her all chance of ascent into the society she had a right
to, the society she really belonged to, and they thought it was
professional work, a profession that she was thinking of! She drew back
unconsciously to the support of the wall, and propped herself by it.
She could have cried, but pride would not let her. “You are mistaken,
altogether mistaken,” she said. “I don’t suppose that you mean to insult
me; but you forget that I am a gentleman’s daughter.”
Public-domain text, read in full here on John Shaqi.
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