Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10) — John Shaqi
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)Butler, Pierce
History
Women of Mediæval France: Woman: in all ages and in all countries Vol. 5 (of 10)
Butler, Pierce
Biography -- Middle Ages, 500-1500; Women -- France -- History -- Middle Ages, 500-1500
About the love of Héloïse we need not hesitate. "Truly, she did love
him," says the old chronicler of Saint Martin de Tours, and the ages
since have been but echoing this. We must try, however, to form some
more definite idea of the personality of one who is perhaps the greatest
figure in an actual romance that the world has known. Of her beauty
there can be no question; but we neither know nor very greatly care
whether she was tall and dark or slender and fair. Probably we should be
safe in assuming, on general principles, that she was a blonde, since
the predilection for that style of beauty was so strong that Saint
Bernard devotes a whole sermon to proving that there is no contradiction
in the statement in the Song of Songs: "I am black, but comely." The
most remarkable thing about her was her learning. Even when Abélard
first met her, she was "most distinguished for the extent of her
learning,"... "in great renown throughout the kingdom" for her
proficiency. Her knowledge included not only Latin, but Greek and even
Hebrew, both rarely understood even among men in a day when men usually
got all and women none of the education that could be had. Her monastery
at the Paraclete became a school as famous in its way as Abélard had
made Paris.
Of another trait in her character, too, we can speak with certainty.
Together with her learning went firmness of judgment and perfect sanity,
the elements which go to make up what we vaguely call character. We have
seen Abélard expressing his confidence in her wisdom and judgment. Saint
Bernard, the bitter enemy of Abélard, could not withhold his admiration
from her, although she herself, a faithful partisan of her husband,
always spoke of Saint Bernard as "the false Apostle." The latter, as was
natural in a man renowned for intellect and for asceticism, was more
struck by the grandeur of her character than moved by her personal
charms, and he wrote a letter to the Pope, commending her as a prioress,
in a tone of lofty esteem rather than sympathy. Her own conduct, we have
remarked, was above reproach, and her convent was so well governed that
its rule became the standard for all the convents of her day. Whatever
may have been the violence of her grief over the separation from
Abélard, she was too proud to expose her feelings to the world. She
lived on bravely, honorably, respected by high and low, yet making no
secret of the fact that she had loved and still did love Abélard. One
does not wonder that she won the popular fame which has kept her name
alive, and which has fixed the epithet applied by Villon some three
centuries later: _La très-sage Héloïse_. In all the happy phrases of the
_Ballade des Belles Dames du Temps Jadis_ there is no juster epithet.
Public-domain text, read in full here on John Shaqi.
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