Feminism in Greek Literature from Homer to Aristotle — Aristotle — John Shaqi
Feminism in Greek Literature from Homer to Aristotle
Aristotle · en
But Archilochus at least has once loved a woman. Our next poet, Simonides
of Amorgos, seems to have been a misogynist from birth. His work now only
exists in fragments, but it is so significant of a frame of mind that the
two longest passages that survive deserve a verbatim translation. The
first runs thus:
Women, they are the greatest evil that God ever created. Even
if they do appear to be useful at times, they usually turn out
a curse to their owners. A man who lives with a wife never gets
through a whole day without trouble, and it is no easy matter
for him to drive away from his house that fiend abhorred, the
foul fiend, Hunger. Moreover, just when a man is thinking to
be merry at home—by God’s grace or man’s service—the woman
always finds some ground of fault and puts on her armour for
battle. Where there is a wife, you can never entertain a guest
without fear of trouble. Again, the woman who seems to be most
virtuous, mind you, may well be the most mischievous of all.
Her husband gapes at her in admiration, but his neighbours
laugh to see him, and the mistake he is making.
Every one will praise his own wife—men are shrewd enough for
that—and then will talk scandal about his neighbour’s, and all
the time we do not realise that we are all in the same plight,
for, as we said before, this is the greatest evil that God ever
created.
The other fragment, the catalogue of women, is longer and better known.
It begins:
From the first God made women’s characters different. Into one
kind of woman He put the mind of a pig, lank and bristly, and
in her house everything lies about in disorder, bedraggled with
mud and rolling on the floor, while she herself, unwashed, in
dirty clothes sits in the mire and waxes fat.
The second woman God made out of a mischievous fox. She is
cunning in all things alike; she knows everything, all that is
bad and all that is good; often her speech is fair, but often
it is evil, and her mood changes every day.
The third sort of woman was made out of a dog, and she is the
true child of her mother, ever restless. She wants to hear
and know about everything; she is always peering about and
roaming around, growling even though there is no one in sight.
A man cannot stop her with threats; no, not even if in sudden
anger he break her teeth with a stone. Soft talk is useless,
too; it is all the same even if she happen to be sitting among
strangers: a man finds her a continual and hopeless nuisance.
The fourth woman the gods in heaven made out of mud—or rather
they half made her—and then gave her to man. Such a one knows
nothing, good or bad; the only business she has sense enough
for is eating. Even if God sends a bitter winter’s day and she
be shivering, she never will draw her chair closer to the fire.