An Irish precursor of Dante : $b a study on the Vision of Heaven and Hell ascribed to the eighth-century Irish saint Adamnán, with translation of the Irish text
Dante Alighieri · en
[62] Speaking of the effects which the conquest of Babylon by the
Persians produced upon the religion of the latter, Professor Dill
remarks: ‘The conquerors, as so often happens, were to some extent
subdued by the vanquished. Syncretism set in; the deities of the
two races were reconciled and identified. The magical arts and the
astrolatry of the valley of the Euphrates imposed themselves on the
purer Mazdean faith and never released their hold, although they failed
to check its development as a moral system.’--_Roman Society from Nero
to Marcus Aurelius_, 1904, p. 587, where the author cites Cumont,
_Monuments relatifs aux Mystères de Mithra_, and Gasquet, _Le culte de
Mithra_.
[63] _Vendîdâd_, Introduction, sec. v.
[64] The cult of Mithra, which, in the earlier ages of the Empire,
extended not only over the Mediterranean littoral, but throughout
all Europe so far as the Roman legions went, even to Yorkshire and
the forests of Pannonia, was full of symbolism, the meaning and even
the nomenclature of which are only to be explained by the Persian
religion, in which the cult originated, although it came to receive an
interpretation consonant with the Neo-Platonic theories.
[65] He further suggests that the original notion of the Var as a place
of refuge for the seeds of things from a coming destruction is borrowed
from the Judaic account of Noah. This would seem to be a very strained
inference from a slight analogy. The Biblical account finds much closer
parallels not only in the Chaldæan traditions, but in the Vedic account
of Manu and the Rishis being saved from the deluge in an ark containing
the seeds of things, not to speak of deluge myths in the East and in
the West, as the Thlinkeets, the Natchez, and other tribes of North
America; the Muyscas and Orinoco Indians of South America; the Samoans,
Tahitans, etc.
[66] He assumes that Vohu Mano (Good Thought) is the Neo-Platonic
Logos, and if so, that the other Amesha Spentas are of post-Alexandrian
development, and he goes on to find parallels for them too in the rest
of the seven emanations enumerated by Philo. However, even if the
parallels are so close as to compel the conclusion that the character
and functions ascribed to the Amesha Spentas in their latest form
are due to Neo-Platonic influences--and even this is not shown very
convincingly--it by no means follows that the very conception of the
seven celestial powers is due to the same source.
[67] We have here, in Persia, an anticipation of the Neo-Platonic æons
before the time of Plato himself--a conception which can hardly be
referred to the earlier theory of the kind propounded by Hesiod.
[68] _Vendîdâd_, Introduction, p. liv, and see p. lxi. For the dead
casting no shadow, cp. Plutarch’s Vision of Thespesios.
[69] _Op. cit._, p. lxv.
[70] Article ‘Chaldæa,’ in _Encyclopædia Britannica_, vol. iii.
[71] Revelation xv. 2, and cf. _Fis Adamnáin_, ch. II.
[72] Herodotus, _Euterpe_, ii. 156.
[73] Dill, _op. cit._, p. 561.