knowledge, and the desire to communicate it. Philosophy has become the lady of his soul--to write allegorical poems in her honour, and to comment on them with all the apparatus of his learning in prose, his mode of celebrating her. Further, he marries; it is said, not happily. The antiquaries, too, have disturbed romance by discovering that Beatrice also was married some years before her death. He appears, as time goes on, as a burgher of Florence, the father of a family, a politician, an envoy, a magistrate, a partisan, taking his full share in the quarrels of the day. At length we see him, at once an exile, and the poet of the _Commedia_. Beatrice reappears--shadowy, melting at times into symbol and figure--but far too living and real, addressed with too intense and natural feeling to be the mere personification of anything. The lady of the philosophical Canzoni has vanished. The student's dream has been broken, as the boy's had been; and the earnestness of the man, enlightened by sorrow, overleaping the student's formalities and abstractions, reverted in sympathy to the earnestness of the boy, and brooded once more on that Saint in Paradise, whose presence and memory had once been so soothing, and who now seemed a real link between him and that stable country, "where the angels are in peace." Round her image, the reflection of purity, and truth, and forbearing love, was grouped that confused scene of trouble and effort, of failure and success, which the poet saw round him; round her image it arranged itself in awful order--and that image, not a metaphysical abstraction, but the living memory, freshened by sorrow, and seen through the softening and hallowing vista of years, of Beatrice Portinari--no figment of imagination, but God's creature and servant. A childish love, dissipated by study and business, and revived in memory by heavy sorrow--a boyish resolution, made in a moment of feeling, interrupted, though it would be hazardous to say in Dante's case, laid aside, for apparently more manly studies, gave the idea and suggested the form of the "Sacred poem of earth and heaven."