Præraphaelite diaries and letters — Dante Alighieri — John Shaqi
Præraphaelite diaries and letters
Dante Alighieri · en
Such is the exposal of the train of ideas which led to the
composition of the work in its present state. Whether it may ever
deserve the pains I am now taking about it remains to be seen; very
likely it may only add one more to the many kicks I have already
received from Fortune. If so, I am quite able to bear it and despise
her. Of one thing she cannot rob me--the pleasure I have already
extracted--distilled, I may say--from the very work itself. Warned
by bitter experience, I have learned not to trust only to hope
for my reward, nor consider my toil as a sacrifice, but to value
the _present_, the pleasure that I have received and daily yet
receive from the working out of a subject after mine own heart, a
love-offering to my favourite poets, to my never-faithless Burns,
Byron, Spenser, and Shakespeare. Never can I forget the pleasure
with which I could muse over my work in Rome, at a time when visited
by the most bitter afflictions and apprehensions for the future,[5]
at a time when all other satisfaction was impossible; never can I
forget that _she_ gave it her unqualified approbation, prophesied
that it would ensure me ultimate success, regretted that she would
never live to see it, and _ordered_ me to complete it after her
death. In fulfilling her behest I am breaking one of her strongest
recommendations--I have parted from Lucy.[6] O God! ought not that
thought to make me strive and struggle against indolence? Oh the hell
of poverty!
[Illustration: (Gravestone of Elizabeth Brown, designed by Madox Brown)]
To-day I have done little or nothing but sketched-in the figure
of Chaucer in white chalk, and have been to the Strand about some
costumes, after writing out a list of them.
I must not omit to say that in Rome I painted a sketch of it in oil,
afterwards made a drawing of it in chalk, and then an outline of the
whole as it now is; since which I began first to fill it up in colour
at Southend, afterwards went on a little with it at Hampstead, and
since touched it and marred it at Tudor Lodge.[7]
I have long intended beginning this journal; praise be God it is
begun at last.
5th September.--Got up late, got to work late, did little,
scratched-in three figures in white chalk; left off at half-past
two, dressed and went out to dinner. Then went to the Cemetery:[8]
found it full of cockneys: walked over to Hampstead, saw a glorious
sunset....
6th.--Have not worked to-day--tried to do so but could not, having
been out all the morning to the costume-shop and other places.... Got
a lay figure from Barbe’s at last, bought ten yards of flannel for
draperies, engaged a model for to-morrow. Lost myself in Somerstown;
got into a place where there was no gas; thought I should get my
throat cut. Persevered, and after almost breaking my neck got into
the King’s Road at last.... Went to Cooper’s, and ordered a moveable
seat for my painting-steps....
7th.--Got up at seven, model came, worked well all day--drew some
legs....