His only means of escape--and he feels it is a poor one--is to throw himself into the arms of Pity. From internal evidence it seems reasonably certain that the marriage of Beatrice fell at the time when he describes himself as standing at the parting of the ways. Before that he has been careful to write of his love in terms so general as to be understood only by those in possession of the key. Now he makes direct mention of her, and seeks to be in her company; and he even leads us to infer that it was owing to his poems that she became a well-known personage in the streets of Florence. Immediately after the sonnet in which he has recourse to Pity, he tells how he was led by a friend into the house of a lady, married only that day, whom they find surrounded by her lady friends, met to celebrate her home-coming after marriage. It was the fashion for young gentlemen to offer their services at such a feast. On this occasion Dante for one can give no help. A sudden trembling seizes him; he leans for support against the painted wall of the chamber; then, lifting his eyes to see if the ladies have remarked his plight, he is troubled at beholding Beatrice among them, with a smile on her lips, as, leaning towards her, they mock at her lover's weakness. To his friend, who, as he leads him from the chamber, asks what ails him, he replies: 'My feet have reached that point beyond which if they pass they can never return.' It was only matrons that gathered round a bride at her home-coming; Beatrice was therefore by this time a married woman. That she was but newly married we may infer from Dante's confusion on finding her there.[43] His secret has now been discovered, and he must either renounce his love, or, as he is at length free to do, Beatrice being married, declare it openly, and spend his life in loyal devotion to her as the mistress of his imagination and of his heart.[44]