The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
But how is he to pursue his devotion to her, and make use of his new
privilege of freer intercourse, when the very sight of her so unmans
him? He writes three sonnets explaining what may seem pusillanimity in
him, and resolves to write no more. Now comes the most fruitful episode
in the history. Questioned by a bevy of fair ladies what is the end of a
love like his, that cannot even face the object of its desire, he
answers that his happiness lies in the words by which he shows forth the
praises of his mistress. He has now discovered that his passion is its
own reward. In other words, he has succeeded in spiritualising his love;
although to a careless reader it might seem in little need of passing
through the process. Then, soon after, as he walks by a crystal brook,
he is inspired with the words which begin the noblest poem he had yet
produced,[45] and that as the author of which he is hailed by a
fellow-poet in Purgatory. It is the first to glorify Beatrice as one in
whom Heaven is more concerned than Earth; and in it, too, he anticipates
his journey through the other world. She dies,[46] and we are surprised
to find that within a year of her death he wavers in his allegiance to
her memory. A fair face, expressing a tender compassion, looks down on
him from a window as he goes nursing his great sorrow; and he loves the
owner of the face because she pities him. But seeing Beatrice in a
vision he is restored, and the closing sonnet tells how his whole desire
goes forth to her, and how his spirit is borne above the highest sphere
to behold her receiving honour, and shedding radiance on all around her.
The narrative closes with a reference to a vision which he does not
recount, but which incites him to severe study in order that he may
learn to write of her as she deserves. And the last sentence of the
_Vita Nuova_ expresses a hope--a hope which would be arrogant coming
after anything less perfect than the _Vita Nuova_--that, concerning her,
he shall yet say things never said before of any woman. Thus the poet's
earliest work contains an earnest of the latest, and his morning makes
one day with his evening.