The Divine Comedy of Dante Alighieri: The Inferno — Dante Alighieri — John Shaqi
The Divine Comedy of Dante Alighieri: The Inferno
Dante Alighieri · en
Besides Dante many other Whites had been expelled from Florence.[91]
Whether they liked it or not, they were forced to seek aid from the
Ghibelines of Arezzo and Romagna. This led naturally to a change of
political views, and though at the time of their banishment all of them
were Guelfs in various degrees, as months and years went on they
developed into Ghibelines, more or less declared. Dissensions, too,
would be bred among them out of recriminations touching the past, and
charges of deserting the general interest for the sake of securing
private advantage in the way of making peace with the Republic. For a
time, however, the common desire of gaining a return to Florence held
them together. Of the Council constituted to bring this about, Dante was
a member. Once only with his associates does he appear to have come the
length of formal negotiations with a view to getting back. Charles of
Valois had passed away from the temporary scene of his extortions and
treachery, upon the futile quest of a crown. Boniface, ere being
persecuted to death by his old ally, Philip of France (1303), had vainly
attempted to check the cruelty of the Blacks; and Benedict, his
successor, sent the Cardinal of Ostia to Florence with powers to
reconcile the two parties. Dante is usually credited with the
composition of the letter in which Vieri dei Cerchi and his
fellow-exiles answered the call of the Cardinal to discuss the
conditions of their return home. All that had been done by the banished
party, said the letter, had been done for the public good.[92] The
negotiations came to nothing; nor were the exiles more fortunate in
arms. Along with their allies they did once succeed by a sudden dash in
penetrating to the market-place, and Florence lay within their grasp
when, seized with panic, they turned and fled from the city, which many
of them were never to see again.