The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay — Georg Hegel — John Shaqi
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Georg Hegel · en
The world of these governing facts of life is the world of the things
not seen, the object of reason, the world of the truly infinite and
divine. It is, of course, a false antithesis to contrast seeing with
the bodily eye and seeing with the mind's eye. The seeing eye is always
the mind's eye. The distinction between sense and spirit or intellect
is a distinction _within the mind_ just as is St. Paul's opposition
between the spirit and the flesh. Nevertheless, the mind that only sees
colour--sense or sense-perception--is different from the mind that sees
beauty, the self-conscious spirit. The latter includes the former, but
the former does not include the latter. To the one the colour is the
ultimate fact; to the other it is an element in a thing of beauty. This
relation prevails throughout between the world of sense and the world
above sense. The "things not seen," philosophically speaking, are no
world of existences or of intelligences co-ordinate with and severed
from this present world. They are a value, an import, a significance,
superadded to the phenomenal world, which may thus be said, though with
some risk of misunderstanding, to be degraded into a symbol. The house,
the cathedral, the judge's robe, the general's uniform, are ultimate
facts for the child or the savage; but for the civilized man they are
symbols of domestic life, of the Church, and of the State. Even where
the supra-sensuous world has its purest expression, in the knowledge
and will of intelligent beings, it presupposes a sensuous world as
the material of ideas and of actions. "This" world and the "other"
world are continuous and inseparable, and all men must live in some
degree for both. But the completion of the Noumenal world, and the
apprehension of its reality and completeness, is the task by fulfilling
which humanity advances.
I pass to the interpretation, neither technical nor controversial, of
one or two of Hegel's most alarming phrases.
The "infinite" seems to practical minds the very opposite of anything
real, present, or valuable. As the description of life, it is the
mere negation of the life we know; as the description of a purpose,
it is the very antithesis of any purpose that we can conceive to be
attainable; as the description of a being, it appears to be formed
by denying every predicate which we attach to personality. And I
could wish that Hegel had not selected this much-abused term as the
distinctive predicate of what is most real and most precious in life.
He adhered to it, no doubt, because his infinity, though different in
nature to that of common logic, yet rightly fills the place and meets
the problem of that conception. I will attempt to explain how this
can be, and what we are discussing when we read about infinity in the
Hegelian philosophy.