The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay — Georg Hegel — John Shaqi
The Introduction to Hegel's Philosophy of Fine Arts: Translated from the German with Notes and Prefatory Essay
Georg Hegel · en
It is an obvious remark, that infinity was a symbol of evil in
Hellenic speculation, whereas to Christian and modern thought it is
identified with good. Much idle talk has arisen on this account, as to
the limitation of the Hellenic mind. For in fact, the Finite ascribed
to Pythagoras, and the idea of limit and proportion in Plato or in
Aristotle, are far more nearly akin to true infinity than is the
Infinite of modern popular philosophy. Infinite means the negation of
limit. Now, common infinity, which may be identified in general with
enumeration _ad infinitum_,--the _false_ infinity of Hegel--is the
attempt to negate or transcend a limit which inevitably recurs. It
arises from attempting a task or problem in the wrong way, so that we
may go on for ever without making any advance towards its achievement.
All quantitative infinity--which of course has its definite uses,
subject to proper reservations--is of this nature. A process does
not change its character by mere continuance, and the aggregate of a
million units is no more free from limitation than the aggregate of
ten. A defect in kind cannot be compensated by mere quantity. We see
the fallacious attempt in savage, barbaric, or vulgar art. Meaningless
iteration, objectless labour, enormous size, extravagant costliness,
indicate the effort to satisfy man's need of expression by the mere
accumulation of work without adequate idea or purpose. But such
efforts, however stupendous, never attain their goal. They constitute a
recurrent failure to transcend a recurrent limit, precisely analogous
to enumeration _ad infinitum_. A hundred thousand pounds' worth of
bricks and mortar comes no nearer to the embodiment of mind than
a thousand pounds' worth. To attempt adequate expression by mere
aggregation of cost or size is therefore to fall into the infinite
process or the false infinity.
Another well-known instance is the pursuit of happiness in the form
of "pleasure for pleasure's sake." The recurrence of unchanging units
leaves us where we were. A process which does not change remains the
same, and if it did not bring satisfaction at first, will not do so at
last.[9] We might as well go on producing parallels to infinity, in the
hope that somehow or somewhere they may meet. An infinite straight line
may serve as a type of the kind of infinity we are considering.