The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 1 (of 4): Hegel's Aesthetik
Georg Hegel · en
and political life, which prevent the soul, entangled as it is in
microscopic interests, from securing its freedom in the nobler objects
of art, a condition, too, in which the intelligence itself becomes
a menial to such trifling wants and the interests they excite in
sciences, which subserve objects of a like nature, and are seduced into
the voluntary exile of such a wilderness.
But however we may explain the fact it certainly is the case that Art
is no longer able to discover that satisfaction of spiritual wants,
which previous epochs and nations have sought for in it and exclusively
found in it, a satisfaction which, at least on the religious side, was
associated with art in the most intimate way. The fair days of Greek
art, as also the golden time of the later middle ages, are over. The
reflective culture of our life of to-day makes it inevitable, both
relatively to our volitional power and our judgment, that we adhere
strictly to general points of view, and regulate particular matters in
consonance with them, so that universal forms, laws, duties, rights,
and maxims hold valid as the determining basis of our life and the
force within of main importance. What is demanded for artistic interest
as also for artistic creation is, speaking in general terms, a vital
energy, in which the universal is not present as law and maxim, but
is operative in union with the soul and emotions, just as also, in
the imagination, what is universal and rational is enclosed only as
brought into unity with a concrete sensuous phenomenon. For this reason
the present time is not, if we review its conditions in their widest
range, favourable to art. And with regard to the executive artist
himself it is not merely that reflection on every side, which _will_
insist on utterance, owing to the universal habit of critical opinion
and judgment, leads him astray from his art and infects his mind
with a like desire to accumulate abstract thought in his creations;
rather the entire spiritual culture of the times is of such a nature
that he himself stands within a world thus disposed to reflection
and the conditions it presupposes, and, do what he may, he cannot
release himself either by his wish or his power of decision from their
influence, neither can he by means of exceptional education, or a
removal from the ordinary conditions of life, conjure up for himself
and secure a solitude capable of replacing all that is lost.